Mikhail Glinka, Slovak Radio Symphony Orchestra, Anthony Bramall's 'Ruslan and Lyudmila, Op. 5: Overture' had a release date set for February 23, 1988. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Russian Festival". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Ruslan and Lyudmila, Op. 5: Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ruslan and Lyudmila, Op. 5: Overture by Mikhail Glinka, Slovak Radio Symphony Orchestra, Anthony Bramall having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vremena goda, Op. 67: XV. Allegro | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | F Major | 2 | 7B | 121 BPM | ||
| Music for the Royal Fireworks, HWV 351: I. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 3 | 3B | 133 BPM | ||
| Khachaturian: Suite from Masquerade: I. Waltz | Aram Khachaturian, Orchestre Philharmonique de Radio France, Paavo Järvi | C Major | 3 | 8B | 96 BPM | ||
| L'Arlésienne Suite No.1, WD 40: 1. Prélude | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | C Minor | 1 | 5A | 66 BPM | ||
| 春の声(J.シュトラウス2世) | Johann Strauss II, Erich Binder, ウィーン交響楽団 | C Minor | 1 | 5A | 94 BPM | ||
| Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
| 花のワルツ 〜バレエ組曲「くるみ割り人形」より | Pyotr Ilyich Tchaikovsky, Václav Neumann, Czech Philharmonic Chamber Orchestra | D Major | 2 | 10B | 79 BPM | ||
| Harp Concerto in A major: 2. Larghetto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 80 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
| ハンガリー狂詩曲 第2番 嬰ハ短調 S.244-2(リスト) | Franz Liszt, Fujiko Hemming | E Major | 0 | 12B | 99 BPM | ||
| Grieg: Holberg Suite, Op. 40: V. Rigaudon | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | G Major | 1 | 9B | 122 BPM | ||
| ドヴォルザーク:交響曲第8番 ト長調 作品88;第1楽章 アレグロ・コン・ブリオ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 135 BPM | ||
| Doubt | Mikhail Glinka, Nestor Kukolnik, Annika Skoglund, Erling Sunnarvik | D Major | 1 | 10B | 125 BPM | ||
| Schubert: Rosamunde, Op. 26, D. 797: Entr'acte No. 3, Andantino | Franz Schubert, San Francisco Symphony, Michael Tilson Thomas | B♭ Major | 0 | 6B | 69 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Takako Nishizaki, Jenő Jandó | E Major | 2 | 12B | 89 BPM | ||
| Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: III. Scherzo (Molto vivace) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | D Minor | 1 | 7A | 150 BPM | ||
| Giselle: Act I: Allegro moderato | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 82 BPM | ||
| Alpine Rose - Polka Op. 127 | Eduard Strauss, Hallé, Bramwell Tovey | C Major | 0 | 8B | 112 BPM | ||
| アルルの女 第2組曲: IV. ファランドール Farandole | Georges Bizet, Emmanuel Krivine, 国立リヨン管弦楽団 | D Major | 4 | 10B | 180 BPM | ||
| Rhapsody in Blue | George Gershwin, Kathryn Selby, Slovak Radio Symphony Orchestra, Richard Hayman | D♭ Major | 1 | 3B | 126 BPM | ||
| Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
| Glinka & Balakirev: The Lark | Mikhail Glinka, Mily Balakirev, Maria Ioudenitch, Kenny Broberg | B Minor | 1 | 10A | 80 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
| Coppelia: Act I - Mazurka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 2 | 9B | 82 BPM |