ペーター・レーゼル's ' "楽興の時 ヘ短調 D.780-3" was released on its scheduled release date, March 8, 2017. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in こどもクラシック~心おちつく名曲セレクション, so we believe that "楽興の時 ヘ短調 D.780-3" is a single. In terms of popularity, 楽興の時 ヘ短調 D.780-3 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 楽興の時 ヘ短調 D.780-3 by ペーター・レーゼル is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ユーモレスク op.101-7 | Antonín Dvořák, ペーター・レーゼル | F Minor | 0 | 4A | 100 BPM | ||
| Keyboard Sonata in E-Flat Major, K. 193 | Domenico Scarlatti, Javier Perianes | F♯ Minor | 2 | 11A | 124 BPM | ||
| 9. ソナチネ 作品36, 第3番 ハ長調: I. Spiritoso | Muzio Clementi, 藤原亜美 | C Major | 1 | 8B | 117 BPM | ||
| 歌の翼に S547 | フェリックス・メンデルスゾーン, 田部京子 | G Major | 1 | 9B | 91 BPM | ||
| プレリュードとフーガ イ短調 (平均律クラヴィーア曲集 第2集より)BVW 889 プレリュード ⅩⅩ | Johann Sebastian Bach, ペーター・レーゼル | D Major | 3 | 10B | 162 BPM | ||
| L'art de Délier Les Doigts, Op. 740.: Etude de Bravoure | Carl Czerny, Jean-Frédéric Neuburger | B Major | 0 | 1B | 128 BPM | ||
| ブルクミュラー25の練習曲: 11. せきれい | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Capriccio in B Minor, H. 349: I. Andante | Fanny Mendelssohn, Claire Huangci | F Minor | 0 | 4A | 100 BPM | ||
| Etude De Concert. Op. 2, No.6. Si Oiseau J'etais, "Were I a Bird" - Duo-Art 5705 | Adolph von Henselt, Arthur Friedheim, Peter Phillips | F Minor | 0 | 4A | 100 BPM | ||
| Grand Duet in E-Flat Minor (Version for Harp & Piano): II. Adagio | John Thomas, Duo Praxedis | E♭ Minor | 1 | 2A | 60 BPM | ||
| Pale Gold | Adrien Vallombre | B♭ Major | 3 | 6B | 122 BPM | ||
| 6 Danses polonaises, Op. 9: No. 6, Polonaise in B Major | Ignacy Jan Paderewski, Mao Fujita | B Major | 1 | 1B | 90 BPM | ||
| 25:貴婦人の乗馬(ブルグミュラー:25の練習曲 作品100) | 伊奈和子 | G Major | 3 | 9B | 119 BPM | ||
| コンサート・ロンド ニ長調 K.382 | Wolfgang Amadeus Mozart, Fujiko Hemming, English Chamber Orchestra, ラルフ・ゴトーニ | F Minor | 1 | 4A | 142 BPM | ||
| Nocturne sentimental on a Theme of Strauss, Op. 537 | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| ブルクミュラー25の練習曲: 19. アヴェ・マリア | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Piano Sonata No. 10 in C Major, K. 330: I. Allegro moderato | Wolfgang Amadeus Mozart, Mao Fujita | E♭ Major | 0 | 5B | 198 BPM | ||
| Lolita Caprice espagnol, Op. 54 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM | ||
| 8 Nocturnes romantiques de différents caractères, Op. 604: No. 6, La consolation | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| 春に寄す Op.43-6(グリーグ) | 松本和将 | F♯ Major | 1 | 2B | 74 BPM | ||
| Etude Op. 25 no. 6 in g sharp minor | Valentina Lisitsa | D♭ Minor | 2 | 12A | 77 BPM | ||
| 抒情小曲集 第3集, 作品43: 第6曲 春に寄す | Edvard Grieg, Rika Miyatani | F♯ Major | 1 | 2B | 136 BPM | ||
| Lotus. Op. 7, No.5 (Spanish Capriccio) - Duo-Art 055 Br | Adolf Waterman, Peter Phillips | F Minor | 0 | 4A | 100 BPM | ||
| ビゼー : ハバネラ(『カルメン』より) | 丹 千尋 | D Major | 1 | 10B | 127 BPM | ||
| 6 Lieder Ohne Worte, Op. 18 in E-Dur: II. Bewegt Und Sehr Gebunden | Delphine von Schauroth, Arcadie Triboi | F♯ Major | 1 | 2B | 105 BPM |