On January 1, 1955, the song "Pour rire en société" was released by Jacques Prévert. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jacques Prévert's "Jacques Prévert dit "Paroles"" album is number 18 out of 20. Pour rire en société is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Pour rire en société by Jacques Prévert to be Grave (very slow) because the track has a tempo of 43 BPM, a half-time of 22BPM, and a double-time of 86 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orfeo ed Euridice (Sung in English): Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) | Kathleen Ferrier | C Major | 2 | 8B | 70 BPM | ||
| Ancre des abysses: Poème pour une Sirène | Guillaume Doyon | A♭ Minor | 0 | 1A | 102 BPM | ||
| J'avais tant à donner | Julia Guez | D♭ Major | 5 | 3B | 127 BPM | ||
| Rugiada e Rosa | Aurora Fontani | A Major | 3 | 11B | 134 BPM | ||
| A Major | 1 | 11B | 121 BPM | ||||
| Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | ||
| Maintenant je sais - Version Originale | Jean Gabin | B♭ Major | 2 | 6B | 105 BPM | ||
| Anesthésie | Ghassan Yammine, Yazan Kamel | F Major | 2 | 7B | 141 BPM | ||
| Ces mots-là | Victor Aviat | F♯ Minor | 0 | 11A | 126 BPM | ||
| Erbarme dich, mein Gott (From the St. Matthew Passion) | Eugen Cicero | E Minor | 3 | 9A | 136 BPM | ||
| Les amours d'antan | Georges Chelon | D Major | 4 | 10B | 128 BPM | ||
| Serenata napoletana | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | D Major | 2 | 10B | 77 BPM | ||
| Quand l'amour s'en mêle | Andrée Grise | A Major | 3 | 11B | 134 BPM | ||
| Assez - 生活的簡單公式 | 暖暖心樂MUSIC | D♭ Major | 2 | 3B | 149 BPM | ||
| Je suis voyante | Monsieur Timoté | E♭ Major | 3 | 5B | 120 BPM | ||
| Je ne t'aime pas (Orch. Elliott) | Kurt Weill, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | F Major | 1 | 7B | 97 BPM | ||
| Chapitre 01: Cendrillon | Cendrillon | D Major | 2 | 10B | 80 BPM | ||
| Cuor di rubino - Radio Edit | Mauto, Jacques Prévert | D Major | 2 | 10B | 120 BPM | ||
| Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| La Complainte De Vincent | Jacques Prévert | C Major | 5 | 8B | 110 BPM | ||
| A toi Lili Marlene | Anne Vanderlove | C Major | 3 | 8B | 95 BPM | ||
| La boîte à musique | Jean-Guy Chapados | B♭ Minor | 5 | 3A | 98 BPM | ||
| Le Balayeur | Jacques Prévert | G Major | 3 | 9B | 89 BPM | ||
| Je suis comme je suis | Joseph Kosma, Charlotte Haesen, Café des Chansons | A Major | 3 | 11B | 134 BPM | ||
| Les Feuilles Mortes (Arr. Graeme Lyall) | Joseph Kosma, Jacques Prévert, Graeme Lyall, Katie Noonan, Red Fish Blue, Queensland Symphony Orchestra, Guy Noble | B Major | 3 | 1B | 63 BPM |