Es muß ein Wunderbares sein, S. 314 by Franz Liszt, Rudolf Schock, Günter Arndt-Chor, Napoli MandolinOrchestra, Wilhelm Schüchter Song Details

Franz Liszt, Rudolf Schock, Günter Arndt-Chor, Napoli MandolinOrchestra, Wilhelm Schüchter's 'Es muß ein Wunderbares sein, S. 314' had a release date set for 2008. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 20 in Die schönsten Opernarien by Rudolf Schock, Tschuschke, Hans, Napoli MandolinOrchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Es muß ein Wunderbares sein, S. 314 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Es muß ein Wunderbares sein, S. 314 by Franz Liszt, Rudolf Schock, Günter Arndt-Chor, Napoli MandolinOrchestra, Wilhelm Schüchter is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.069 dB
Acousticness: 96%
Danceability: 28%
Energy: 22%
Instrumentalness: 0%
Liveness: 12%
Loudness: 75%
Speechiness: 4%
Valence: 26%

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