"Sargam Raga Bilaval Thaat" by Raghunandan Panshikar had its release date on October 15, 2004. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Raghunandan Panshikar's "Janak Thaat Bilaval" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Sargam Raga Bilaval Thaat's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sargam Raga Bilaval Thaat by Raghunandan Panshikar to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prakritim Paramam | Ramakrishna Math, Swami Sarvagananda | F♯ Major | 7 | 2B | 113 BPM | ||
| Shri Ramchandra Kripaalu | Shweta Pandit | A Major | 2 | 11B | 74 BPM | ||
| Dharila Pandharicha Chor | Godavaribai Munde, Rameshbuva Shegaonkar | F♯ Major | 4 | 2B | 111 BPM | ||
| Samayasi Saadar Vhave | Raghunandan Panshikar | E♭ Major | 3 | 5B | 102 BPM | ||
| Ab Main Jaanyo Sahi | Raagopanishad, Raghunandan Panshikar | F Major | 7 | 7B | 145 BPM | ||
| Mountain Meditation | NOÉRA | B♭ Major | 4 | 6B | 90 BPM | ||
| Jyaa Sukhakarni | Santosh Redakar | F Minor | 7 | 4A | 100 BPM | ||
| Naag Shanti Stotram | Mangesh Borgaonkar | G Major | 7 | 9B | 96 BPM | ||
| Bhramarpura Madhe | P. Pu. Vishnudas Maharaj, Ashok Patki, Raghunandan Panshikar | B♭ Major | 6 | 6B | 80 BPM | ||
| Evadha Vel Ka Laavilaa | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Maruti Stotra Bheemrupi Maharudra | Amarwani | B♭ Major | 4 | 6B | 90 BPM | ||
| Achyutanant Govind | Raghunandan Panshikar, Bharat Nawani | G Major | 4 | 9B | 145 BPM | ||
| Vitthal Maza Maza Mi Vitthalacha (Dhun) | Unmesh Tayade, Avinash Sasane | A♭ Minor | 5 | 1A | 108 BPM | ||
| Dharuni Bot Swaminche | Mahesh Kale | D♭ Major | 6 | 3B | 103 BPM | ||
| Narmadashtakam | Chinmayee Tambe, Abhijit Bartakke | E Minor | 2 | 9A | 86 BPM | ||
| Vandan Tujla Lambodara | Sachidanand Aappa | F♯ Major | 5 | 2B | 175 BPM | ||
| Ganesha Bhajan | M. Sowmiya | F♯ Major | 7 | 2B | 120 BPM | ||
| Swami Samarth Stavan | Dhanashree Deshpande | B♭ Major | 2 | 6B | 138 BPM | ||
| Hore Krishno | Roompa Roy, Pradyot Dey Sarkar | D♭ Major | 4 | 3B | 170 BPM | ||
| JAY JAYTI JAY RAGHUVANSH | Hrdayeshsinh Rathod, RICHA ARYA | D Major | 5 | 10B | 140 BPM | ||
| Adhyay 5 Karma Sanyas Yog | Raghunandan Panshikar, Swapnil Bandodkar, Hrishikesh Ranade | D Major | 5 | 10B | 130 BPM | ||
| Angai 3.0 | Krutika Borkar, Manish Ansurkar, Bunny, Shivanya | A♭ Minor | 7 | 1A | 130 BPM | ||
| Asa Kasa Devacha Dev | Ragunath Khandalkar | A♭ Major | 4 | 4B | 170 BPM | ||
| Jaau De Re Mala Mathurela | Godavaribai Munde, Rameshbua Shengaonkar, Kashiram Bua | D♭ Major | 7 | 3B | 92 BPM | ||
| Tri Sandhya Savitri | Raghunandan Panshikar | F Minor | 3 | 4A | 175 BPM |