原信夫とシャープス・アンド・フラッツ's 'ヘイ・ジュード' had a release date set for June 1, 1969. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 12 in Dynamic Brass by 原信夫とシャープス・アンド・フラッツ. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, ヘイ・ジュード is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ヘイ・ジュード by 原信夫とシャープス・アンド・フラッツ is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 南京豆売り | ジミー竹内, 原信夫とシャープス・アンド・フラッツ | G Major | 6 | 9B | 127 BPM | ||
| Goodbye Paris | Sammy Price | F Minor | 4 | 4A | 161 BPM | ||
| Basin Street Blues | Jimmy Smith | F Major | 4 | 7B | 140 BPM | ||
| Come Swing with Me | Ernest Ponticelli, Gordon Rees, David Gold | D♭ Major | 4 | 3B | 126 BPM | ||
| Feqresh yemench weha | Tilaye Gebre, Dahlak Band | D♭ Major | 4 | 3B | 129 BPM | ||
| I Got Lucky In The Rain | Frank Valdor & His Orchestra | G Major | 3 | 9B | 124 BPM | ||
| Kushimoto-Bushi (串本節) | Koichi Sugii | A♭ Major | 3 | 4B | 141 BPM | ||
| 茶色の小瓶 | Kenichi Tsunoda Big Band | D♭ Major | 5 | 3B | 96 BPM | ||
| Old Devil Moon - Moderate Society | Lester Lanin | B♭ Major | 2 | 6B | 147 BPM | ||
| Otto Make That Riff Staccato | THE SCHWINGS BAND | F Major | 2 | 7B | 124 BPM | ||
| The Moose | Dodo Marmarosa, Charlie Barnet & His Orchestra | F♯ Minor | 3 | 11A | 137 BPM | ||
| Walla Walla | Johnny Guarnieri | E♭ Major | 4 | 5B | 144 BPM | ||
| Twilight Time | Les Brown | G Major | 2 | 9B | 82 BPM | ||
| Sweet Jesus | celina suku | F Minor | 3 | 4A | 131 BPM | ||
| Borsalino Slow - Version originale 1974 from Borsalino & Co | Claude Bolling | D♭ Major | 2 | 3B | 117 BPM | ||
| You're A Sweet Little Headache | Benny Goodman Orchestra with Martha Tilton | E♭ Major | 4 | 5B | 201 BPM | ||
| Baci e Bollicine | Dolce Vita | F Major | 4 | 7B | 144 BPM | ||
| Pompton Turnpike | Charlie Barnet & His Orchestra | F Minor | 2 | 4A | 86 BPM | ||
| Bean Stalking - Idaho | The Three Tenors Of Swing | G Minor | 8 | 6A | 138 BPM | ||
| Sugar Daddy'O | Werner Tautz | G Minor | 5 | 6A | 126 BPM | ||
| In The Background | French Jazz Cafe | C Major | 1 | 8B | 110 BPM | ||
| The Right One | Neal Hefti | E♭ Major | 2 | 5B | 105 BPM | ||
| Cheek to Cheek | Peter Herbolzheimer Orchestra | F Minor | 3 | 4A | 74 BPM | ||
| Gone With The Wind | Toshiko Akiyoshi | F Minor | 1 | 4A | 134 BPM | ||
| Change Partners | Billy May & His Orchestra | A Major | 3 | 11B | 109 BPM |