Antoine Forqueray, Atsushi Sakai, Marion Martineau, Christophe Rousset's 'Quatrième Suite: I. La Marella' had a release date set for February 5, 2016. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 31 in Forqueray by Antoine Forqueray, Atsushi Sakai, Christophe Rousset, Marion Martineau. In terms of popularity, Quatrième Suite: I. La Marella is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatrième Suite: I. La Marella by Antoine Forqueray, Atsushi Sakai, Marion Martineau, Christophe Rousset is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Suite No. 1 in D Minor: No. 1, Allemande "La La Borde". Noblement et avec Sentiment | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Pau Marcos Vicens, Gabriel Rignol, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | ||
| Sonata à 2 in D Minor | Antonio Bertali, Ecco la musica | E♭ Major | 1 | 5B | 112 BPM | ||
| Recorder Sonata in D Minor, Op. 1 No. 9a, HWV 367a: III. Furioso | George Frideric Handel, Rachel Beckett, Richard Tunnicliffe, Paul Nicholson | A♭ Minor | 1 | 1A | 130 BPM | ||
| La Guignon (Vivement et détaché) | Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś | B Major | 1 | 1B | 170 BPM | ||
| Suite in A Minor: III. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | B♭ Minor | 1 | 3A | 85 BPM | ||
| Charpentier: Concert pour 4 parties de violes, H. 545: I. Prélude | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | B Major | 2 | 1B | 171 BPM | ||
| Violin Sonata No. 6 in A Minor: I. Largo | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Sonata in G Minor, No. 5: II. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 100 BPM | ||
| Sonata No. 1 in F Major: I. Largo | Benedetto Marcello, Roberto Loreggian, Francesco Galligioni, Rolando Moro | F Major | 0 | 7B | 143 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 3. Allegro | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 109 BPM | ||
| Concerto for 2 Violins and Cello in D Minor, RV 565, Op. 3 No. 11: III. Allegro | Antonio Vivaldi, Amandine Beyer, Gli Incogniti | B Minor | 3 | 10A | 118 BPM | ||
| Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| La Bellmont (avec Goût et sans lenteur) | Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś | B Major | 1 | 1B | 170 BPM | ||
| VI. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: I. Andante | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Pièces de viole, Suite No. 4 in G Minor: IV. La Bournonville | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Sonata & Suite in B-Dur, BuxWV 273: Sonata & Suite in B-Dur, BuxWV 273: II. Adagio-Allegro-Poco adagio-Allegro | Dietrich Buxtehude, La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner | A Major | 2 | 11B | 100 BPM | ||
| Suite No. 2 in G Major: No. 2, La Mandoline. Point trop vite et d'aplomb | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Gabriel Rignol, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | ||
| Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 142 BPM | ||
| Suite (Partita) No. 12 in C Major, FbWV 612: IV. Gigue | Johann Jakob Froberger, Władysław Kłosiewicz | D♭ Minor | 1 | 12A | 110 BPM | ||
| Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | ||
| Couperin, L: Suite en la: V. Sarabande, G. 109 | Louis Couperin, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM |