"Rigoletto: Caro nome" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Linda Campanella had its release date on May 15, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United States. The popularity of Rigoletto: Caro nome is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto: Caro nome by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Linda Campanella having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
| La vita è bella | Nicola Piovani, Luigi Piovano, Archi di Santa Cecilia | D Major | 0 | 10B | 129 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Budapest Philharmonic Orchestra, András Kórodi | F Major | 1 | 7B | 117 BPM | ||
| Il Lado Dei Cigni, Suite dal Balletto Op.20 | Armonie Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
| String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
| The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
| Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
| Symphony in C: 2. Andante (Adagio) | Georges Bizet, Orchestre National De France, Jean Martinon | G Major | 2 | 9B | 147 BPM | ||
| Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 107 BPM | ||
| Die Vier Jahreszeiten: Concerto Nr. 4 "Winter" - Le Quattro Stagioni (Allegro Non Molto) | Paolo Ciociola | F Minor | 2 | 4A | 77 BPM | ||
| Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
| Aida (Marcia trionfale) | Orchestra Sinfonica e Coro della Scandinavian Collegium | E♭ Major | 3 | 5B | 56 BPM | ||
| Notturno Op. 70 No. 1 | Giuseppe Martucci, Czecho-Slovak State Philharmonic Orchestra of Kosice, Johannes Wildner | F♯ Major | 1 | 2B | 80 BPM | ||
| Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
| Madama Butterfly, SC 74: Humming Chorus | Giacomo Puccini, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Ali Rahbari | B♭ Major | 0 | 6B | 81 BPM | ||
| Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Joseph Haydn, Yo-Yo Ma, English Chamber Orchestra, José-Luis Garcia | F Major | 1 | 7B | 62 BPM | ||
| Bellini: Norma, Act 1: "Casta diva" (Norma, Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
| Jeux interdits (Romance) | Narciso Yepes | B♭ Major | 7 | 6B | 101 BPM | ||
| Lakme: Sous le dome Epais (The Flower Duet) | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | E♭ Major | 3 | 5B | 74 BPM | ||
| Al Chiaro Di Luna (Beethoven Per Piano E Archi) | Nazareno Aversa | D♭ Minor | 0 | 12A | 172 BPM | ||
| Cavatina Figaro | Giacomo Rossi, Helmuth Brandenburg | C Major | 3 | 8B | 61 BPM | ||
| Symphony No. 5 in C minor Op. 67: I. Allegro con brio | Sir Roger Norrington, London Classical Players | C Minor | 2 | 5A | 107 BPM | ||
| Frühlingsstimmen, Op. 410 | Johann Strauss II, Slovak Philharmonic, Noriaki Kitamura | B♭ Major | 0 | 6B | 181 BPM | ||
| Adagio Allegro Molto | Orquesta Filarmónica de Viena | E Minor | 2 | 9A | 115 BPM | ||
| Lo schiaccianoci Suite, Op. 71a: Danse de la fee dragee | Radio Symphony Orchestra | E Minor | 2 | 9A | 112 BPM |