On June 29, 2010, the song "Dress For Date" was released by Aaron Zigman. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Dress For Date's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Sex and the City 2 (Original Motion Picture Score)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Based on our statistics, Dress For Date's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dress For Date by Aaron Zigman having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| Cross tempo | Andrea Guerra | A♭ Major | 0 | 4B | 82 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| The Great Secret | Patrick Doyle | A Minor | 0 | 8A | 88 BPM | ||
| Parker & Hachi Walk To The Station | Jan A.P. Kaczmarek | A Minor | 2 | 8A | 163 BPM | ||
| Courage and Kindness | Patrick Doyle | G Major | 0 | 9B | 80 BPM | ||
| You're Gonna Find It Hard To Believe | Geoff Zanelli | C Major | 1 | 8B | 120 BPM | ||
| San Miguel | Jordan Seigel | G Major | 0 | 9B | 136 BPM | ||
| You Weren't There | George Fenton | G Major | 0 | 9B | 60 BPM | ||
| A Brief History of Time | Jóhann Jóhannsson | D Major | 1 | 10B | 94 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| Mary's Journey | Guy Farley | A Minor | 0 | 8A | 95 BPM | ||
| The Old Woman | John Barry | C Major | 2 | 8B | 92 BPM | ||
| I Wasn't Ready to Be a Dad, Anyway | Ralf Wengenmayr | D♭ Major | 0 | 3B | 69 BPM | ||
| Carpe Diem - From "Dead Poets Society" | Maurice Jarre | B♭ Major | 0 | 6B | 116 BPM | ||
| A Nation Died | Stephen Warbeck | D Minor | 1 | 7A | 64 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| The Notebook | Steve Hall | G Major | 0 | 9B | 118 BPM | ||
| So Much Is Possible | Geoff Zanelli | E Major | 2 | 12B | 99 BPM | ||
| Steve's Theme | Aaron Zigman | C Major | 0 | 8B | 67 BPM | ||
| San Francisco | Theodore Shapiro | G Major | 0 | 9B | 135 BPM | ||
| Glasgow Love Theme | Craig Armstrong | A Major | 1 | 11B | 79 BPM | ||
| Waves | Deborah Lurie | C Minor | 1 | 5A | 84 BPM | ||
| Mary And Henry | Paul Cantelon | E♭ Major | 1 | 5B | 82 BPM | ||
| Happily Ever After | George Fenton | D Major | 1 | 10B | 139 BPM |