"Strange as Angels: Seventeen Seconds" by Marc Collin, Chrystabell had its release date on June 18, 2021. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Strange as Angels: Seventeen Seconds's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Strange as Angels". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. In terms of popularity, Strange as Angels: Seventeen Seconds is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Strange as Angels: Seventeen Seconds by Marc Collin, Chrystabell having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Moods That I Get In | King Hannah | E Minor | 4 | 9A | 141 BPM | ||
| Big Big Baby | King Hannah | F Minor | 7 | 4A | 101 BPM | ||
| Be Free | Oslo Twins | F Minor | 5 | 4A | 124 BPM | ||
| Wind In My Hair | Ask Carol | G Minor | 4 | 6A | 106 BPM | ||
| Pipe Dreams | Lonely Guest, Rina Mushonga | D Major | 1 | 10B | 135 BPM | ||
| Guide for the Perplexed | Thomas Feiner | C Major | 5 | 8B | 123 BPM | ||
| All the Things | KOLÉ | F Minor | 7 | 4A | 120 BPM | ||
| Dangerous Plaything | Nush Unbrushed | D Minor | 6 | 7A | 125 BPM | ||
| In The Sunshine | Jonathan Bree | B Minor | 5 | 10A | 96 BPM | ||
| I Wrote in Blood | Still Corners | A♭ Major | 4 | 4B | 110 BPM | ||
| Poems | Nearly God, Terry Hall, Martina Topley-Bird | E Minor | 3 | 9A | 122 BPM | ||
| In Vain | Sofa Surfers, Jonny Sass | B Major | 6 | 1B | 144 BPM | ||
| Sewer Blues | Timber Timbre | B♭ Major | 3 | 6B | 130 BPM | ||
| Attention to Life | Piano Magic, Peter Milton Walsh | E Minor | 3 | 9A | 81 BPM | ||
| I Can't Dance | Niki Grace, Marc Collin | A♭ Minor | 5 | 1A | 108 BPM | ||
| Sabrina | Einstürzende Neubauten | C Major | 2 | 8B | 109 BPM | ||
| Climbing Kilmanjaro | Flunk | G Minor | 3 | 6A | 120 BPM | ||
| Blue In Grey | Nightbus | G Major | 5 | 9B | 125 BPM | ||
| Everlast | Robin Foster, Ndidi O | D Minor | 7 | 7A | 101 BPM | ||
| Black Guitar | Blonde Redhead | D♭ Minor | 4 | 12A | 146 BPM | ||
| Keep on moving | Hen Yanni | C Minor | 2 | 5A | 100 BPM | ||
| Passing on the Stairs | Elysian Fields | B Minor | 1 | 10A | 111 BPM | ||
| The Ship Song | Thomas Feiner | D♭ Minor | 7 | 12A | 115 BPM | ||
| Iron | HOPE | B♭ Minor | 5 | 3A | 141 BPM | ||
| Battles, Pt. II | Emika, Sebastian | F Major | 0 | 7B | 120 BPM |