On July 26, 2013, the song "Ran Me Garaj Rahi Re Kalka" was released by Shahnaz Akhtar. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Ran Me Garaj Rahi Re Kalka only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Ran Me Garaj Rahi Re Kalka's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ran Me Garaj Rahi Re Kalka by Shahnaz Akhtar having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mile satguru zindagi | Shradey gaurav krishna goswami | D♭ Major | 6 | 3B | 104 BPM | ||
| Guruji na Nam ni Ho Mala | NARAYANSWAMI | F Minor | 5 | 4A | 130 BPM | ||
| Mere Lakhan Dulare Bol | Pawan Tiwari | F Major | 5 | 7B | 142 BPM | ||
| Jhulna Ma Baithe Maiya | Dukalu Yadav | D♭ Major | 9 | 3B | 76 BPM | ||
| Chandadla Tu Chhup Jya Re | Seema Mishra | A♭ Major | 5 | 4B | 130 BPM | ||
| Bhole Bhole Bam Bam | Charanjeet Singh Sondhi | A Major | 9 | 11B | 95 BPM | ||
| Mor Chadi Lahrrai Re | Tarun Toofani | G Major | 8 | 9B | 150 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Vo dekho chor hari | Shradey gaurav krishna goswami | D♭ Major | 6 | 3B | 104 BPM | ||
| Parbhu Hum Bhi Sharnagat Hai | Devendra Pathak | B♭ Minor | 7 | 3A | 82 BPM | ||
| Naino Mein Shyam Samaaye Gayo | Baba Rasika Pagal | A♭ Minor | 8 | 1A | 86 BPM | ||
| Banoge Radha To Ye Janoge | Mukesh Bagda | C Minor | 7 | 5A | 144 BPM | ||
| O Murakh Bande Kya Hai | Parmod Kumar | A♭ Major | 7 | 4B | 77 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Yashoda Ke Chaiya Kadam Ke Niche | Radha Krishna Maharaj | D♭ Major | 9 | 3B | 125 BPM | ||
| Teri Baat Nihaare Radha | Bhaiya Krishan Das Ji | A Minor | 9 | 8A | 130 BPM | ||
| Devi Namaste | Dukalu Yadav | B♭ Major | 9 | 6B | 120 BPM | ||
| Ae Ji Shyam Thari Nagri Mein | Sanju Sharma | C Major | 9 | 8B | 110 BPM | ||
| Hey Devon Ke Dev Mahadev | Udit Narayan | D♭ Major | 6 | 3B | 138 BPM | ||
| Vishwakarma Aarti | Poonam Vishwakarma | A♭ Minor | 9 | 1A | 109 BPM | ||
| Uth Jag Musafir Bhor Bhayi Ab | Gyanendra Sharma | A♭ Major | 5 | 4B | 96 BPM | ||
| Kaya Ne Singar Koyaliya | Moinuddin Manchala | D♭ Major | 7 | 3B | 139 BPM | ||
| Akhiyan Ho Rhi Lal Gulal | Sanju Sharma | G Major | 7 | 9B | 118 BPM | ||
| Sona Rupa Ka Ghada (Jhalariya) | Vaishali Sen, Motha Kharte | G Major | 5 | 9B | 190 BPM | ||
| Mere Bhole Baba Ko Anadi Mat | Manish Tiwari | F♯ Major | 4 | 2B | 88 BPM |