伊東たけし's 'HI-SCI-FI' had a release date set for 1985. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 7 out of 8 in EL SEVEN by 伊東たけし. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, HI-SCI-FI is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of HI-SCI-FI by 伊東たけし is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| FIRE FLY | Sadao Watanabe | F♯ Major | 8 | 2B | 91 BPM | ||
| Seraphim (Angels) | caldera | B♭ Major | 7 | 6B | 80 BPM | ||
| Mirage | Shigeharu Mukai | D♭ Minor | 7 | 12A | 142 BPM | ||
| LET ME TRY | NANIWA EXPRESS | D Minor | 8 | 7A | 118 BPM | ||
| HIGH PRESSURE | MALTA | C Major | 4 | 8B | 69 BPM | ||
| Never Give Up | Hiram Bullock | F♯ Major | 6 | 2B | 162 BPM | ||
| You Blow My Heart Away | Toshiyuki Honda, Seawind | D Minor | 5 | 7A | 89 BPM | ||
| Stardust Avenue | The Miami Syndicate | D Minor | 9 | 7A | 100 BPM | ||
| Evening Shadows | 角松 敏生 | D Major | 6 | 10B | 124 BPM | ||
| GO OVER THE HILL | Noriki | A Major | 3 | 11B | 146 BPM | ||
| Tequila Toast | Masaki Matsubara | B Minor | 6 | 10A | 201 BPM | ||
| LUCA | かつしかトリオ | B Minor | 5 | 10A | 130 BPM | ||
| The Soundgraphy | Minoru Mukaiya | F Major | 6 | 7B | 100 BPM | ||
| THE LADY OF TOLEDO | NANIWA EXPRESS | A Minor | 9 | 8A | 126 BPM | ||
| Mulher Linda | Senri Kawaguchi | C Major | 8 | 8B | 103 BPM | ||
| PERPETUAL MOTION | NANIWA EXPRESS | C Major | 8 | 8B | 165 BPM | ||
| 旅に出よう! | Satoshi Bandoh | D Major | 8 | 10B | 134 BPM | ||
| Seven Miles Bridge | Yuji Toriyama | D Major | 8 | 10B | 92 BPM | ||
| Sphere | THE JAZZ AVENGERS | B♭ Minor | 7 | 3A | 120 BPM | ||
| オールドハワイ・コナ | Naoya Matsuoka | D♭ Major | 8 | 3B | 97 BPM | ||
| Tequila Mockingbird | 角松 敏生 | D Major | 6 | 10B | 124 BPM | ||
| Snow Kaleidoscope | Ear Candy Jazz Factory | C Minor | 8 | 5A | 118 BPM | ||
| Silence | Kaori Kobayashi | F♯ Major | 4 | 2B | 100 BPM | ||
| Island Rain | Yuji Toriyama | C Major | 5 | 8B | 108 BPM | ||
| Miz Thang | Tom Scott, Brenda Russell, Bill Champlin | B Minor | 9 | 10A | 94 BPM |