Lou Reed, John Cale's 'Faces and Names' had a release date set for April 11, 1990. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Songs For Drella". In this album, this song's track order is #7. In terms of popularity, Faces and Names is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With Faces and Names by Lou Reed, John Cale having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Modern Dance | Pere Ubu | F♯ Minor | 8 | 11A | 141 BPM | ||
| The Sleeper | John Cale | A Major | 5 | 11B | 103 BPM | ||
| Tender Is The Night (The Long Fidelity) | The Triffids | A Major | 2 | 11B | 76 BPM | ||
| Humor Me | Pere Ubu | D♭ Major | 5 | 3B | 136 BPM | ||
| Selkie Bride | Frank Black | C Minor | 4 | 5A | 119 BPM | ||
| Walking on a Wire | Richard & Linda Thompson | G Major | 2 | 9B | 62 BPM | ||
| Love Lies - 2023 Remaster | Captain Beefheart & His Magic Band | G Major | 3 | 9B | 106 BPM | ||
| Been Alone So Long - 2006 Digital Remaster | Peter Hammill | E Minor | 4 | 9A | 111 BPM | ||
| Wealth - 1997 Remaster | Talk Talk | F♯ Major | 0 | 2B | 101 BPM | ||
| Late Night | Syd Barrett | D Major | 4 | 10B | 107 BPM | ||
| I Believe in You - 1997 Remaster | Talk Talk | F♯ Major | 2 | 2B | 91 BPM | ||
| Trade In | Lou Reed | A Major | 3 | 11B | 77 BPM | ||
| Hey Lucinda | Tindersticks | C Major | 2 | 8B | 107 BPM | ||
| Jersey Thursday | Donovan | C Minor | 2 | 5A | 103 BPM | ||
| Nothing Is Sacred | Steve Harley & Cockney Rebel | E Major | 5 | 12B | 89 BPM | ||
| Heartbeat - 2006 Remastered Version | Wire | E Major | 1 | 12B | 100 BPM | ||
| Promised Land | Julian Cope | E Major | 2 | 12B | 94 BPM | ||
| I Want To Go To The Beach | Iggy Pop | E Major | 3 | 12B | 77 BPM | ||
| Ken's Memos | Minksy Bootsy | C Minor | 4 | 5A | 143 BPM | ||
| Hi Dear | Jonathan Richman & The Modern Lovers | G Major | 3 | 9B | 94 BPM | ||
| Work | Lou Reed, John Cale | D Major | 5 | 10B | 132 BPM | ||
| Not yet Three | Jonathan Richman & The Modern Lovers | F♯ Major | 3 | 2B | 119 BPM | ||
| Candy | Morphine | G Minor | 4 | 6A | 80 BPM | ||
| Further Than We've Gone | Captain Beefheart & His Magic Band | E Minor | 3 | 9A | 131 BPM | ||
| Half Past One | CAN | B Minor | 6 | 10A | 124 BPM |