"金曜日のソナチネ II. Andante" by 湯山昭, 神野明 had its release date on 1998. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. 金曜日のソナチネ II. Andante's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 湯山昭 ピアノ曲集 「日曜日のソナチネ」, so we believe that "金曜日のソナチネ II. Andante" is a single. 金曜日のソナチネ II. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 金曜日のソナチネ II. Andante by 湯山昭, 神野明 is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| バースデー・ケーキ | 湯山昭, Haruko Ueda | A♭ Major | 1 | 4B | 109 BPM | ||
| 2 Arabesques, Op. 45: No. 1 (In Form of an Etude) - Duo-Art 6388 | Theodor Leschetizki, Ethel Leginska, Peter Phillips | E♭ Major | 1 | 5B | 107 BPM | ||
| ラフマニノフ:ヴォカリーズ | Sergei Rachmaninoff, Shinya Kiyozuka | A Major | 2 | 11B | 130 BPM | ||
| Three Sketches. Serenade No.2 - Duo-Art 5772 | Gerhard Frommel, Alexander Raab, Peter Phillips | A Major | 2 | 11B | 82 BPM | ||
| La Favorita: Grand Morceau De Concert on Themes (Arr. By Ascher, Op. 74) - Duo-Art 72479 | Gaetano Donizetti, Peter Phillips, Genevieve Pitot | A Major | 2 | 11B | 91 BPM | ||
| Lied ohne Worte Op.62-6 "Fruhlingslied" | Felix Mendelssohn, Kazune Shimizu | E Major | 0 | 12B | 102 BPM | ||
| ジェニーへのオマージュ 作品1 - 辻井伸行 カーネギーホール・デビューLIVE | Nobuyuki Tsujii | G Minor | 1 | 6A | 80 BPM | ||
| 演奏会用ユモレスク, 作品14: 第1番 メヌエット ト長調 | Ignacy Jan Paderewski, Masako Ezaki | F Major | 1 | 7B | 91 BPM | ||
| ピアノ・ソナタ 第3番 ロ短調 作品58 第2楽章 | Kai Ichinose | E Major | 1 | 12B | 66 BPM | ||
| 赤い紙風船 | 湯山昭, Haruko Ueda | A♭ Major | 1 | 4B | 109 BPM | ||
| サティ:ジュ・トゥ・ヴ | Kentaro Haneda | C Major | 1 | 8B | 98 BPM | ||
| 日曜日のソナチネ II. Scherzando (踊る時計) | 湯山昭, 神野明 | G Major | 3 | 9B | 79 BPM | ||
| Le Joie de Pierre-Auguste: Moderato. Ragtime | Ramón Paus, Irene Cantos | B♭ Minor | 0 | 3A | 127 BPM | ||
| 11 Chorale Preludes, Op. 122 (Arr. Busoni for Piano): No. 8, Es ist ein Ros' entsprungen | Johannes Brahms, Aristo Sham | G Major | 2 | 9B | 148 BPM | ||
| フランス人形 | 湯山昭, Haruko Ueda | A♭ Major | 1 | 4B | 109 BPM | ||
| 24 Preludes, Op. 11: No. 12 in G-Sharp Minor. Andante | Alexander Scriabin, Mikhail Pletnev | A♭ Minor | 0 | 1A | 66 BPM | ||
| Imaginary Polonaise | Hayato Sumino | A Major | 2 | 11B | 82 BPM | ||
| イスラメイ (東洋的幻想曲) | Mily Balakirev, Kotaro Fukuma | A Minor | 1 | 8A | 89 BPM | ||
| New Cinema Paradise | Ria Ideta | A Major | 0 | 11B | 140 BPM | ||
| プレリュード第6番 作品23-6(ラフマニノフ) | Sergei Rachmaninoff, Shinya Kiyozuka | E♭ Major | 1 | 5B | 72 BPM | ||
| シューベルト: 4つの即興曲 作品90 III. アンダンテ | Franz Schubert, Kyohei Sorita | F♯ Major | 0 | 2B | 72 BPM | ||
| 8つの演奏会用エチュード 作品40: 第4番: 思い出 | Nikolai Kapustin, Nobuyuki Tsujii | C Major | 2 | 8B | 109 BPM | ||
| Napoli, FP40: 1. Barcarolle (Assez animé) | Francis Poulenc, Pascal Rogé | E Minor | 0 | 9A | 71 BPM | ||
| ワルツ 第6番 変ニ長調 作品64-1 「小犬のワルツ」 | Kai Ichinose | D♭ Major | 0 | 3B | 70 BPM | ||
| 6 Lieder Ohne Worte, Op. 18 in E-Dur: I. Mäßig Und Gefühlvoll | Delphine von Schauroth, Arcadie Triboi | F Major | 0 | 7B | 68 BPM |