Andrea Falconieri, Christina Pluhar, L'Arpeggiata's 'Falconieri: La Benedetta' had a release date set for May 3, 2024. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wonder Women by Christina Pluhar, L'Arpeggiata. The song's track number on the album is #11 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Falconieri: La Benedetta's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Falconieri: La Benedetta by Andrea Falconieri, Christina Pluhar, L'Arpeggiata has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Falconieri: La Benedetta being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
| Trio Sonata in D Minor, RV 63 "La Folia" (Perf. on Sheng, Viola & Double Bass) | Antonio Vivaldi, Wu Wei, Martin Stegner, Janne Saksala | C Major | 1 | 8B | 131 BPM | ||
| Duo Concertant, K054: IV. Gigue | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | A♭ Major | 2 | 4B | 96 BPM | ||
| Leonarda: Nive puer (Excerpts) [Arr. Pluhar] | Isabella Leonarda, Christina Pluhar, L'Arpeggiata, Benedetta Mazzucato | F Major | 1 | 7B | 117 BPM | ||
| Chi Mai | Eric Vloeimans, Jörg Brinkmann | G Minor | 1 | 6A | 78 BPM | ||
| La Mi Re | Thomas Preston, David Orlowsky, David Bergmüller | F Minor | 0 | 4A | 173 BPM | ||
| Violin Concerto in D Minor, Op. 8 No. 7, RV 242: II. Largo | Antonio Vivaldi, La Serenissima, Adrian Chandler | G Minor | 2 | 6A | 104 BPM | ||
| Quinto Ballo detto lo Ninfe di Senna: Canario | Lorenzo Allegri, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| 3 Preludes: No. 2, Andante con moto e poco rubato | George Gershwin, Anna Fedorova | A Major | 5 | 11B | 91 BPM | ||
| Souvenir d'un lieu cher, Op. 42, TH 116 (Arr. for Violin & Orchestra by Alexander Glazunov): No. 3, Mélodie | Pyotr Ilyich Tchaikovsky, Natalia Lomeiko, The Russian State Philharmonic, Valery Polyansky | E Minor | 0 | 9A | 82 BPM | ||
| Lavender | David Orlowsky, Daniel Stelter, Tommy Baldu | E♭ Minor | 0 | 2A | 134 BPM | ||
| Asturiana - I | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
| Torri: Son rosignolo | Pietro Torri, Malena Ernman, L'Arpeggiata, Christina Pluhar | B Major | 2 | 1B | 108 BPM | ||
| Improvisation on "Je suis malade" by Lama & Dona | Alexandre Tharaud, Thomas Dunford | B♭ Minor | 2 | 3A | 133 BPM | ||
| Kapsberger | L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi | E♭ Major | 1 | 5B | 97 BPM | ||
| In The Deepness Of The Soul | Giora Feidman Sextett, Giora Feidman | B Major | 1 | 1B | 100 BPM | ||
| Fantaisie sur des motifs de l'opéra "Guillaume Tell" de Rossini (Arr. for 3 Cellos): III. Moderato - Allegro | Alexandre Batta, Gioachino Rossini, Sol Gabetta, Victor Julien-Laferrière, Luca Magariello | D Major | 5 | 10B | 76 BPM | ||
| Rappresentatione di Anima, et di Corpo, Atto secondo, Intermedio: Pass e Medio | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar | D Minor | 0 | 7A | 171 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Velvet Valves (Six Romantic Trio Arrangements): Romance (After Georges Bizet) | David Riniker, Sarah Willis, Kotowa Machida, Philip Mayers, Klaus Wallendorf | A Minor | 0 | 8A | 90 BPM | ||
| Caprice viennois, Op. 2 (Arr. Fougeray for Violin and Guitar): III. Presto | Fritz Kreisler, María Dueñas, Raphaël Feuillâtre | G Major | 1 | 9B | 98 BPM | ||
| Fantaisie sur des motifs de l'opéra "Guillaume Tell" de Rossini (Arr. for 3 Cellos): I. Moderato | Alexandre Batta, Gioachino Rossini, Sol Gabetta, Victor Julien-Laferrière, Luca Magariello | D Major | 5 | 10B | 76 BPM | ||
| Souvenir de Spa, Op. 2: V. Andantino | Adrien François Servais, Sol Gabetta, Cappella Gabetta | D♭ Major | 1 | 3B | 172 BPM | ||
| Bertali: Sonata a 6 in E Minor | Antonio Bertali, Christina Pluhar, L'Arpeggiata | E Minor | 1 | 9A | 92 BPM | ||
| Guitar Concerto in A Major, Op. 8 (Recomposed for Solo Flute by Luca Astolfoni Fossi): VIII. Polacca finale | Ferdinando Carulli, Claudio Ferrarini | G Major | 2 | 9B | 66 BPM |