One Morning Left's 'Excuse Me, How Can I Get To The Scene From Here' had a release date set for December 23, 2008. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 6 in the song's album "Panda <3 Penguin". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Excuse Me, How Can I Get To The Scene From Here is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Excuse Me, How Can I Get To The Scene From Here by One Morning Left having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Disorder | The Narrator | D♭ Minor | 10 | 12A | 180 BPM | ||
| Paradise | THE DAY WE LEFT EARTH | G Major | 9 | 9B | 123 BPM | ||
| Reetu Inda House? | One Morning Left | D♭ Major | 10 | 3B | 150 BPM | ||
| Broken | Alleviate | B♭ Minor | 10 | 3A | 145 BPM | ||
| Hype Train | Equilibrium, Julie Elven | G Major | 9 | 9B | 73 BPM | ||
| They Don't Care About Us | Annisokay | G Major | 10 | 9B | 180 BPM | ||
| Devastation | Eyes Wide Open | B♭ Minor | 9 | 3A | 97 BPM | ||
| Top 10 staTues tHat CriEd bloOd | Will Ramos, Nik Nocturnal | G Major | 10 | 9B | 97 BPM | ||
| Candy Shop | Risen from Shadows | F Major | 9 | 7B | 110 BPM | ||
| Strangler | Orbit Culture | A♭ Major | 10 | 4B | 160 BPM | ||
| Wild at Heart | To the Rats and Wolves | C Major | 10 | 8B | 150 BPM | ||
| Blue (da ba dee) - Eiffel 65 Metalcore Cover | STESY | F♯ Minor | 10 | 11A | 140 BPM | ||
| BOOM!1 | Amaranthe | A♭ Major | 10 | 4B | 145 BPM | ||
| Tear Down The Walls | Escape The Day | B Minor | 10 | 10A | 140 BPM | ||
| End Of Days | Defects | G Minor | 10 | 6A | 75 BPM | ||
| WHERE'S THE EXIT | Blind Channel | G Major | 9 | 9B | 124 BPM | ||
| Free Falling | Elwood Stray, DR€W ¥ORK | F Minor | 10 | 4A | 110 BPM | ||
| Neon Highway | One Morning Left | D♭ Major | 10 | 3B | 200 BPM | ||
| Die Another Day | Eyes Wide Open | A♭ Minor | 8 | 1A | 160 BPM | ||
| Granny In Da Club | Nik Nocturnal, Alleviate | B♭ Minor | 9 | 3A | 160 BPM | ||
| Topaz | STESY | B Minor | 9 | 10A | 95 BPM | ||
| Dangerous | TheCityIsOurs | E Minor | 9 | 9A | 106 BPM | ||
| Kill It | Samurai Pizza Cats | C Minor | 10 | 5A | 130 BPM | ||
| When Fathers Sing | dEMOTIONAL | F♯ Major | 9 | 2B | 120 BPM | ||
| We Are One | VENUES | E Minor | 10 | 9A | 175 BPM |