"Rhapsody on a Theme of Paganini, Op. 43: Variation No. 11 - Live" by Sergei Rachmaninoff, Lang Lang, Mariinsky Orchestra, Valery Gergiev had its release date on January 1, 2005. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Rachmaninov: Piano Concerto No.2; Rhapsody on a Theme of Paganini; Prelude op.23". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rhapsody on a Theme of Paganini, Op. 43: Variation No. 11 - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Variation No. 11 - Live by Sergei Rachmaninoff, Lang Lang, Mariinsky Orchestra, Valery Gergiev having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Années de pèlerinage II, Italie, S. 161: II. Il Penseroso | Franz Liszt, Wilhelm Kempff | E Major | 0 | 12B | 132 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 24 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | G Minor | 2 | 6A | 112 BPM | ||
| Kreisler: 3 Old Viennese Dances: No. 2, Liebesleid | Renaud Capuçon, Jerome Ducros | A Major | 0 | 11B | 92 BPM | ||
| The Enchanted Lake, Op. 62 | Anatoly Lyadov, George Szell, The Cleveland Orchestra | A♭ Major | 0 | 4B | 54 BPM | ||
| 3 Romances for Violin and Piano, Op. 22: II. Allegretto | Clara Schumann, Lisa Batiashvili, Alice Sara Ott | G Minor | 0 | 6A | 92 BPM | ||
| Clarinet Quintet in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | B Minor | 1 | 10A | 76 BPM | ||
| Piano Concerto for the Left Hand, M. 82: III. Tempo I | Maurice Ravel, Yuja Wang, Tonhalle-Orchester Zürich, Lionel Bringuier | A Minor | 1 | 8A | 85 BPM | ||
| Bruch: Scottish Fantasy, Op. 46: II. Scherzo. Allegro - Adagio | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
| Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: III. Moderato (Live) | Dmitri Shostakovich, Martha Argerich, Alexander Verdernikov, Orchestra della Svizzera Italiana | A♭ Major | 2 | 4B | 113 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IIIa. Allegro moderato – Molto meno mosso | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Symphony No. 4 in F Minor, Op. 36, TH 27: 2. Andantino in modo di canzone | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 0 | 3A | 64 BPM | ||
| Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Anna Fedorova, Nordwestdeutsche Philharmonie, Laércio Diniz, Benedict Kloeckner | G Major | 1 | 9B | 79 BPM | ||
| Dvořák: Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": VI. Lento maestoso - Vivace | Antonín Dvořák, Beaux Arts Trio | C Minor | 1 | 5A | 109 BPM | ||
| Piano Trio in G Minor, Op. 3: I. Pas trop lent – Animé | Ernest Chausson, Beaux Arts Trio | E♭ Major | 1 | 5B | 111 BPM | ||
| Symphonic Dances, Op. 64: III. Allegro giocoso | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | A Minor | 1 | 8A | 72 BPM | ||
| By The Sleepy Lagoon | Eric Coates, East of England Orchestra, Malcolm Nabarro | A Minor | 1 | 8A | 73 BPM | ||
| Piano Quintet in G Minor, Op. 57: II. Fugue | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | C Minor | 1 | 5A | 141 BPM | ||
| Chopin: Nocturne No. 16 in E-Flat Major, Op. 55 No. 2 | Frédéric Chopin, YUNDI | E♭ Major | 0 | 5B | 172 BPM | ||
| Suite oriental "Suite árabe": II. Serenata | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Major | 0 | 9B | 132 BPM | ||
| Bartók: Piano Concerto No. 3 in E Major, Sz. 119: I. Allegretto | Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | F♯ Major | 3 | 2B | 104 BPM | ||
| Symphony in Three Movements: I. Crotchet = 160 | Igor Stravinsky, Valery Gergiev, London Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
| Le rouet d'Omphale, Op. 31: Le Rouet d'Omphale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Major | 0 | 10B | 121 BPM | ||
| Symphony No. 2 in B Minor: 3. Andante | Alexander Borodin, London Symphony Orchestra, Jean Martinon | D♭ Major | 1 | 3B | 91 BPM | ||
| Piano Concerto No. 1 in F Sharp Minor, Op. 1: 2. Andante | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | C Minor | 1 | 5A | 77 BPM | ||
| Three Movements 'Petruschka': Chez Pétrouchka | Igor Stravinsky, Maurizio Pollini | E Minor | 2 | 9A | 81 BPM |