Magnificat: V. Gloria Patri - Largo by Rinaldo Alessandrini, Concerto Italiano, Antonio Soler Song Details

"Magnificat: V. Gloria Patri - Largo" by Rinaldo Alessandrini, Concerto Italiano, Antonio Soler had its release date on May 9, 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 20 in the song's album "Per la Vergine Maria (Bencini, Soler, Stravinsky...)". In this album, this song's track order is #16. Based on our statistics, Magnificat: V. Gloria Patri - Largo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Magnificat: V. Gloria Patri - Largo by Rinaldo Alessandrini, Concerto Italiano, Antonio Soler having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.719 dB
Acousticness: 98%
Danceability: 18%
Energy: 11%
Instrumentalness: 0%
Liveness: 14%
Loudness: 65%
Speechiness: 4%
Valence: 4%

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