On April 23, 2018, the song "Soaring" was released by Nate Morgan, Ryan Paul Gilbert. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 15 in Big Inspiration by Various Artists. In terms of popularity, Soaring is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Soaring by Nate Morgan, Ryan Paul Gilbert is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Skipping Tones | Greg Foat, Jihad Darwish, Moses Boyd | C Major | 2 | 8B | 95 BPM | ||
| Soaring, Pt. 1 | Les McCann | A Minor | 2 | 8A | 119 BPM | ||
| Whats on Next? | Dan Marfisi, Nate Morgan | G Major | 7 | 9B | 95 BPM | ||
| It Remains To Be Seen | Bennie Maupin | D♭ Major | 4 | 3B | 108 BPM | ||
| Farewell To Rashan | Bennie Maupin | F Major | 1 | 7B | 143 BPM | ||
| Piperspool | John Surman | B♭ Minor | 1 | 3A | 120 BPM | ||
| Center Stage | Marc Aaron Jacobs, Nate Morgan | D Major | 3 | 10B | 132 BPM | ||
| Throughout | Bill Frisell | A Major | 1 | 11B | 87 BPM | ||
| Cockle Row | The Stan Tracey Quartet | F Minor | 5 | 4A | 118 BPM | ||
| Love And Hate | Jackie McLean | B♭ Major | 1 | 6B | 122 BPM | ||
| Mrafu | Nate Morgan, Dadisi Komolafe, Fritz Wise, Jeff Littleton | D Major | 5 | 10B | 113 BPM | ||
| Electric Counterpoint: III. Fast | Steve Reich, Mats Bergström | E Minor | 5 | 9A | 193 BPM | ||
| Harlem Sunset | Chip White, Gary Bartz, Claudio Roditi, Steve Nelson, Robin Eubanks, Buster Williams | A♭ Major | 2 | 4B | 53 BPM | ||
| A Feeling | Ron Carter | C Major | 5 | 8B | 104 BPM | ||
| Bayou Fever | Jack DeJohnette New Directions | G Major | 3 | 9B | 173 BPM | ||
| Rhapsody In Blue | Sun Ra | B♭ Major | 1 | 6B | 64 BPM | ||
| Space Highway | David Turtle Ramani, Nate Morgan | E Major | 7 | 12B | 96 BPM | ||
| In a Silent Way | Joe Zawinul, Lewis Hahn | A Major | 2 | 11B | 70 BPM | ||
| High Impact | David Mitchell Semien, Nate Morgan | D Major | 7 | 10B | 160 BPM | ||
| lluvia | Karen Zarate | D Major | 3 | 10B | 108 BPM | ||
| Katerina Ballerina | Woody Shaw | C Minor | 3 | 5A | 140 BPM | ||
| Wait For It | Aashish Pathak, Nate Morgan, James Haun | D♭ Major | 4 | 3B | 94 BPM | ||
| Strange Goings On | Nate Morgan | D Major | 7 | 10B | 130 BPM | ||
| Prairie Road | Pete Jolly | B♭ Minor | 4 | 3A | 98 BPM | ||
| Claude And Betty | Gary Burton Quartet, Eberhard Weber | F♯ Major | 1 | 2B | 69 BPM |