- BPM
- 111
- Key
- C Major
- Camelot
- 8B
M-Theory by FORQ Song Details
"M-Theory" by FORQ had its release date on October 11, 2019. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 3 out of 11 in Four by FORQ. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, M-Theory is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of M-Theory by FORQ is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Music Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -9.436 dB
- Acousticness
- 3%
- Danceability
- 32%
- Energy
- 55%
- Instrumentalness
- 76%
- Liveness
- 14%
- Loudness
- 84%
- Speechiness
- 3%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Thalassophobia | Disappearing Act, Emmett Hercule Lafave | D Major | 6 | 10B | 165 BPM | |
 | Red and Blue | Panam Panic | A♭ Major | 6 | 4B | 143 BPM | |
 | Cartoon Hero | Lydian Collective | F Minor | 5 | 4A | 88 BPM | |
 | Drafts | eel | G Major | 6 | 9B | 116 BPM | |
 | Lysol - Live | Butcher Brown | D♭ Major | 7 | 3B | 106 BPM | |
 | Where Y'At | Aberdeen | F Minor | 8 | 4A | 108 BPM | |
 | Suspicious Waveforms | Thank You Scientist | D♭ Major | 9 | 3B | 127 BPM | |
 | EP Three | Ben Jones | E Minor | 5 | 9A | 93 BPM | |
 | No Access? | Larnell Lewis | F Minor | 8 | 4A | 136 BPM | |
 | Visitors Pomp I | We Used to Cut the Grass | B♭ Minor | 9 | 3A | 128 BPM | |
 | Takes All Time | Cory Henry, Robert Randolph | D♭ Major | 9 | 3B | 98 BPM | |
 | Kaleidoscope | Shaun Martin, Matthew Ramsey, Mike “Blaque Dynamite” Mitchell | B Minor | 5 | 10A | 133 BPM | |
 | Nemesis | Aaron Parks | F♯ Major | 6 | 2B | 130 BPM | |
 | We Come in Peace | Scary Goldings | A Major | 9 | 11B | 93 BPM | |
| Room Tone | eel | G Major | 6 | 9B | 116 BPM | |
 | Pocket 5 | The Expansions | A Minor | 5 | 8A | 124 BPM | |
 | Cars Trucks Buses | Winderman, Colman & Kimock | G Major | 6 | 9B | 116 BPM | |
| What Lies Beneath | Shaun Martin, Matthew Ramsey, Mike “Blaque Dynamite” Mitchell | D♭ Major | 5 | 3B | 203 BPM | |
 | Spiracles | Nate Smith | B♭ Major | 5 | 6B | 106 BPM | |
 | Smash | Avishai Cohen, Mark Guiliana, Sam Barsh, Amos Hoffman | G Minor | 7 | 6A | 117 BPM | |
 | Bruise Cruise | Scary Goldings, John Scofield | D♭ Major | 7 | 3B | 131 BPM | |
 | Spherical - Tiny Room Sessions | Greg Spero, Terreon Gully, Geoffrey Keezer, Benjamin Shepherd, Bob Reynolds, Curtis Taylor | D♭ Major | 6 | 3B | 100 BPM | |
 | Neon | Anika Nilles | F Minor | 9 | 4A | 113 BPM | |
 | Lowell | Kneebody | F Minor | 6 | 4A | 96 BPM | |
 | Japanese (Bonus Track) | Owane | A♭ Major | 5 | 4B | 150 BPM |
- ISRC
- US2QM1900003
- Label
- L-M Records/RCA Records