Meera Rana's 'Shree Ram Bhanera Maru' had a release date set for September 13, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Shree Ram Bhanera". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Norway. Based on our statistics, Shree Ram Bhanera Maru's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Shree Ram Bhanera Maru by Meera Rana having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tumi Bharat Mata | Gostho Gopal Das | D♭ Major | 4 | 3B | 131 BPM | ||
| Yarling Kaha Khasyo | Amrit Gurung-nepathya | D Major | 4 | 10B | 82 BPM | ||
| Aau Aba | Suresh kumar | F Major | 3 | 7B | 70 BPM | ||
| Timi Bato | Uday Sotang, Manila Sotang | F♯ Minor | 4 | 11A | 82 BPM | ||
| Hatot Tamul Loi | Dr Anima Choudhury, Tarali Sarma, Nitumoni Bora, Nirmali Das | A Minor | 9 | 8A | 140 BPM | ||
| He Saranagata | Krishnaman, Gyanu Rana, Meera Rana | F Major | 5 | 7B | 126 BPM | ||
| Ma Chhanik Swopna | Meera Rana | F Minor | 8 | 4A | 114 BPM | ||
| Ramro Keta Jaiphool | Bom Bahadur Karki, Meera Rana, Shiva Ale, Tanka Bahadur Ale, Pabitra Thapa, Meera Rana Magar, Maya Nirasi, Khadga Garbuja, Uma Gurung, Pabitra Rijal, Tirtha Kumari Thapa | F Major | 6 | 7B | 91 BPM | ||
| Ke Hunchha Kunni | Raju Pariyar, Bishnu Majhi | D Major | 6 | 10B | 166 BPM | ||
| Bharkhar Bharkhar | Meera Rana, Rupi Singh | D♭ Minor | 2 | 12A | 81 BPM | ||
| Bidade Maado Shivadhyana | Chennaveera Gavayi | A♭ Minor | 7 | 1A | 175 BPM | ||
| Hajurlai Denkhe | Natikaji, Meera Rana | B♭ Major | 6 | 6B | 127 BPM | ||
| Bhajisuva Hrudaya | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | C Major | 3 | 8B | 127 BPM | ||
| Bachirahechhu Aaja | Lal Bahadur Khati, Meera Rana | D♭ Minor | 2 | 12A | 81 BPM | ||
| Khorang Khwlaikhe | Biswanath Debbarma, Manadebi Jamatia | B Minor | 4 | 10A | 72 BPM | ||
| Kina Mann Hunchha | Sadhana Sargam | G Major | 6 | 9B | 118 BPM | ||
| Hami Ta Desh Ka Nimti | Meera Rana, Prakash Shrestha, Tara Thapa | D♭ Major | 4 | 3B | 92 BPM | ||
| Shashan To Bhalobasis | Dhananjay Bhattacharya | C Major | 6 | 8B | 113 BPM | ||
| Nayagunavillada | Shivarudriaha Gowd, Sidrama Patil, Siddanna Desai | A Major | 3 | 11B | 176 BPM | ||
| Shyama Naamer Laglo Aagun | Swaraj Roy | D♭ Major | 5 | 3B | 148 BPM | ||
| Chepang Laye | Ram Thapa, Meera Rana | D Major | 6 | 10B | 121 BPM | ||
| Nodirilli Aagide | Rajkumar | G Major | 3 | 9B | 129 BPM | ||
| Mayalu-Timi Dekhi Ma | Raju Lama | G Major | 6 | 9B | 85 BPM | ||
| Phul Butte Sari | Kumar Basnet, Meera Rana | G Minor | 6 | 6A | 175 BPM | ||
| Sajal Sajal | Bhakta Raj Acharya | C Major | 6 | 8B | 138 BPM |