Massimo Faraò's 'Father and Son' had a release date set for 2004. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Father and Son's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Great Piano Lounge Collection, Vol. I". In this album, this song's track order is #1. Based on our statistics, Father and Son's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Father and Son by Massimo Faraò having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Nearness Of You | The Sunday Duo | F Minor | 0 | 4A | 51 BPM | ||
| Everytime around | Vernon Sanders | F Minor | 1 | 4A | 105 BPM | ||
| The More I See You | Massimo Faraò, Sophia Tomelleri, Nicola Barbon, Bobo Facchinetti | B♭ Major | 2 | 6B | 116 BPM | ||
| I'm Old Fashioned | Charles Cook Jr. | D Minor | 3 | 7A | 110 BPM | ||
| This Masquerade | Pablo Ilanda Trio | C Major | 4 | 8B | 118 BPM | ||
| No Tabuleiro da Baiana (feat. Massimo Faraò) | Claudio Chiara, Brazilian Colors Orchestra, Massimo Faraò | C Major | 4 | 8B | 98 BPM | ||
| There Will Never Be Another You | The Golden Hour Quartet | F Minor | 1 | 4A | 95 BPM | ||
| Here We Go Again | Les trois copines | F Major | 1 | 7B | 92 BPM | ||
| These Foolish Things | Charles Chen | E♭ Major | 1 | 5B | 113 BPM | ||
| Gentle rain | The Blue Green | F Minor | 4 | 4A | 134 BPM | ||
| Had It Happened | Art Hirahara, Joe Martin, Rudy Royston | A♭ Major | 3 | 4B | 106 BPM | ||
| Shibuya Crossing | Denzel Sachs | B♭ Major | 1 | 6B | 117 BPM | ||
| Ill Wind | Gustav Scheringer Duo | D Minor | 2 | 7A | 104 BPM | ||
| Domenica bestiale | Massimo Faraò | C Minor | 2 | 5A | 66 BPM | ||
| Quite Late | Turning Trio | A♭ Major | 2 | 4B | 119 BPM | ||
| Somewhere Over the Rainbow | Lia Riggs Trio | F Minor | 0 | 4A | 99 BPM | ||
| After You've Gone | Bleecker Jazz Duo | B♭ Major | 0 | 6B | 51 BPM | ||
| After Dark | Benjamin Harrison | C Minor | 1 | 5A | 110 BPM | ||
| The Shadow Of Your Smile | Faraò/Durham/Zunino | G Major | 3 | 9B | 133 BPM | ||
| Where Are You Going | Charlie James-Walker | G Major | 2 | 9B | 117 BPM | ||
| The Feeling of Jazz | Juraj Stanik Trio | F♯ Major | 3 | 2B | 95 BPM | ||
| You Go To My Head | Paul Moretti Trio | E♭ Major | 1 | 5B | 102 BPM | ||
| More Than You Know | Jan Lundgren Trio | C Major | 2 | 8B | 62 BPM | ||
| Love Is Here To Stay | CMC 3 | C Major | 2 | 8B | 130 BPM | ||
| Prelude to a Kiss | Jeb Patton | C Major | 1 | 8B | 119 BPM |