アトラスサウンドチーム's ' "Rapunzel: Full Body" was released on its scheduled release date, February 14, 2019. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 67 in Catherine & Catherine Full Body Soundtrack Set by アトラスサウンドチーム. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, Rapunzel: Full Body is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Rapunzel: Full Body by アトラスサウンドチーム is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasy Lives On | 本良敬典(長現山妙常寺), グローリー・コーラス・トウキョウ, アトラスサウンドチーム, ATLUS GAME MUSIC | D♭ Major | 4 | 3B | 89 BPM | ||
| Rising Above the Sorrow | 目黒将司, ATLUS GAME MUSIC | F♯ Minor | 8 | 11A | 148 BPM | ||
| Crossover | コーエーテクモサウンド | F Major | 5 | 7B | 100 BPM | ||
| Jack-a-Dandy | Daisuke Ishiwatari | C Minor | 9 | 5A | 113 BPM | ||
| Jazzy NYC '99 (Alex & Ken Stage) | Capcom Sound Team | B Minor | 9 | 10A | 120 BPM | ||
| The Days When My Mother Was There | J-Music Ensemble | A Minor | 4 | 8A | 107 BPM | ||
| Wicked Plan | アトラスサウンドチーム | G Major | 6 | 9B | 109 BPM | ||
| Main Theme | LouisF | D Major | 5 | 10B | 108 BPM | ||
| youthful lunch | アトラスサウンドチーム | C Minor | 5 | 5A | 146 BPM | ||
| Like a dream come true | アトラスサウンドチーム | C Minor | 5 | 5A | 146 BPM | ||
| The Longshoreman (Sean & Oro) | Capcom Sound Team | B♭ Minor | 8 | 3A | 135 BPM | ||
| So Happy World | アトラスサウンドチーム | E Minor | 9 | 9A | 124 BPM | ||
| Octopath Traveler II -Main Theme- | Yasunori Nishiki | C Major | 6 | 8B | 80 BPM | ||
| School Days (From "Persona") [Instrumental] | GillStudio | D Major | 8 | 10B | 118 BPM | ||
| When The Moon's Reaching Out Stars -Reload- | Azumi Takahashi, アトラスサウンドチーム, ATLUS GAME MUSIC | D♭ Major | 9 | 3B | 90 BPM | ||
| Boss Theme | LouisF | D♭ Major | 1 | 3B | 60 BPM | ||
| Determination of Fight | Falcom Sound Team jdk | A Minor | 9 | 8A | 152 BPM | ||
| Overflow, Harmony | ジュナ(CV:南條愛乃), グローリー・コーラス・トウキョウ, アトラスサウンドチーム, ATLUS GAME MUSIC | F Major | 5 | 7B | 75 BPM | ||
| Atlantic Islands | Keisuke Ito | G Major | 7 | 9B | 100 BPM | ||
| Don't | 高橋あず美, Lotus Juice, アトラスサウンドチーム, ATLUS GAME MUSIC | C Minor | 1 | 5A | 83 BPM | ||
| Theme of Alex | Keiki Kobayashi | A Minor | 9 | 8A | 132 BPM | ||
| Abandoned Highway to Eden | SCARLET NEXUS Sound Team | D♭ Major | 8 | 3B | 162 BPM | ||
| Every Day Is Night | Garoad | F Minor | 7 | 4A | 113 BPM | ||
| Theme of Karin Kanzuki | Capcom Sound Team | B♭ Minor | 10 | 3A | 135 BPM | ||
| Mysterious Destiny (Prototype) | BAYONETTA | C Major | 9 | 8B | 140 BPM |