Motörhead's ' "Too Good To Be True" was released on its scheduled release date, July 20, 1992. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Motörhead's "March Or Die" album is number 8 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Too Good To Be True is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Too Good To Be True by Motörhead to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ready To Rock | Airbourne | G Major | 10 | 9B | 185 BPM | ||
| Teach You How to Sing the Blues | Motörhead | B♭ Minor | 10 | 3A | 164 BPM | ||
| Tormentor | Slayer | C Major | 9 | 8B | 123 BPM | ||
| Why Trust You | Alice Cooper | F Minor | 10 | 4A | 142 BPM | ||
| King of the Kill | Annihilator | G Major | 10 | 9B | 133 BPM | ||
| Stargazer | Rainbow | B Minor | 9 | 10A | 177 BPM | ||
| You Can't Stop Steel | Midnight | D♭ Major | 10 | 3B | 129 BPM | ||
| Evil Eyes | Dio | E♭ Minor | 9 | 2A | 163 BPM | ||
| I Love Being Me | Cockney Rejects | E Major | 10 | 12B | 164 BPM | ||
| Dead Reckoning | Diamond Head | B Major | 10 | 1B | 154 BPM | ||
| Kill the Beast | Stallion | A♭ Minor | 10 | 1A | 146 BPM | ||
| Till the Day I Die | Halford, Rob Halford | D♭ Minor | 7 | 12A | 90 BPM | ||
| You Better Run | Motörhead | B♭ Minor | 9 | 3A | 135 BPM | ||
| Fire Down Under | Riot | A Major | 10 | 11B | 122 BPM | ||
| Another Night In the City | HIGH SPIRITS | C Minor | 7 | 5A | 90 BPM | ||
| I Got the Six (2008 Remaster) | ZZ Top | F Major | 9 | 7B | 150 BPM | ||
| Running in Menace | Enforcer | C Major | 9 | 8B | 77 BPM | ||
| Shadows Are Falling | Randy | E Minor | 9 | 9A | 71 BPM | ||
| Was It Me | The Exploited | F Minor | 9 | 4A | 167 BPM | ||
| A Mansion In Darkness - Reissue | King Diamond | C Major | 10 | 8B | 135 BPM | ||
| Metal Racer | Warlock | B Major | 8 | 1B | 113 BPM | ||
| Deaf Forever | Motörhead | B♭ Major | 10 | 6B | 129 BPM | ||
| Return to Serenity | Testament | D♭ Major | 6 | 3B | 113 BPM | ||
| Violent Revolution | Kreator | G Major | 10 | 9B | 144 BPM | ||
| Silent Screams | Halford | D♭ Major | 9 | 3B | 112 BPM |