Shane Everett's 'Take Me In' had a release date set for October 21, 2001. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Window to the Inner Court by Shane Everett. The song's track number on the album is #7 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Take Me In's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Take Me In by Shane Everett has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Take Me In being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pass It On - I Have A Hope Album Version | Tommy Walker | G Major | 9 | 9B | 115 BPM | ||
| How Sweet the Name of Jesus Sounds | Mark Miller | E♭ Major | 1 | 5B | 151 BPM | ||
| Call Me Out (feat. Shane Barnard and Shane Everett) | Oaks Worship, Shane Barnard, Shane Everett | E♭ Major | 7 | 5B | 109 BPM | ||
| Before There Was Time | Caedmon's Call | D Major | 7 | 10B | 107 BPM | ||
| Who Is Like You | Tim Neufeld | A Major | 4 | 11B | 84 BPM | ||
| Holy Holy | Phatfish | B Major | 8 | 1B | 105 BPM | ||
| Oh What A Love | Graham Kendrick, Stuart Townend | C Major | 3 | 8B | 116 BPM | ||
| Ocean | Ten Shekel Shirt | D Major | 8 | 10B | 90 BPM | ||
| Be Near (Radio Version) | Shane & Shane | D Major | 6 | 10B | 130 BPM | ||
| Praise My Soul The King of Heaven | Graham Kendrick, Martin Smith | B Major | 4 | 1B | 148 BPM | ||
| Fairer Than the Sons of Men | Jon Thurlow | B♭ Major | 4 | 6B | 117 BPM | ||
| Purify Me | Geneviève Falleur | C Major | 2 | 8B | 95 BPM | ||
| It Is Well / At the Cross | Lakewood Church, Joel Osteen Ministries And Lakewood Church | D Major | 5 | 10B | 144 BPM | ||
| Burn It Deep | Kent Henry | B♭ Major | 4 | 6B | 133 BPM | ||
| It's So Sweet | Matt Boswell | E Major | 5 | 12B | 150 BPM | ||
| Savior King | The Ascent | E Major | 6 | 12B | 150 BPM | ||
| Lost In Wonder | Martyn Layzell | C Major | 4 | 8B | 66 BPM | ||
| Eternity | Brian Doerksen | A Major | 2 | 11B | 77 BPM | ||
| Sacred Place | Tom Ewing | A Major | 2 | 11B | 89 BPM | ||
| Bless Us and Keep Us | John Waller | G Major | 4 | 9B | 127 BPM | ||
| Everything Sad Is Coming Untrue, Pt. 1 | Jason Gray | G Major | 9 | 9B | 100 BPM | ||
| God Of The Ages/I Exalt Thee - Live | Charles Billingsley | C Major | 7 | 8B | 180 BPM | ||
| Since I Am So Sick (Psalm 25) [Remastered 2017] | Enter The Worship Circle, 100 Portraits, Waterdeep, Don Chaffer | E Minor | 3 | 9A | 74 BPM | ||
| Hallelujah Jesus | Evan Wickham | B♭ Major | 5 | 6B | 82 BPM | ||
| We are Hungry | Shane Everett | G Major | 5 | 9B | 107 BPM |