On September 7, 2022, the song "Char Char Jambuda Jule Bagama" was released by Aastha Rabari. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Char Char Jambuda Jule Bagama and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Char Char Jambuda Jule Bagama is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Char Char Jambuda Jule Bagama by Aastha Rabari is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vala Tari Lila | gaman santhal | F Minor | 7 | 4A | 95 BPM | ||
| Tara Mate Maan Chhe | Vijay Suvada | F♯ Major | 9 | 2B | 125 BPM | ||
| Govadiya Ne Jahojalali | Savan Bharwad, Mahesh Vanzara | A Major | 9 | 11B | 91 BPM | ||
| Premika Paisadar - Original | Jignesh Barot | G Major | 10 | 9B | 59 BPM | ||
| Sapnu To Sapnu Rahi Gayu | Mahendrasinh Vamaiya (Fumtaji) | C Major | 7 | 8B | 174 BPM | ||
| Goda Gavar Sokra Ne Nasedi Banayo | Dashrat Thakor | D♭ Major | 7 | 3B | 95 BPM | ||
| Te Je Karyu A Maro Jiv Jone Chhe | Shravan Makwana | D♭ Major | 8 | 3B | 150 BPM | ||
| Moniti Najaro Valti | Dilip Thakor | B Major | 9 | 1B | 130 BPM | ||
| Ramdev | Vipul Susra | A Minor | 10 | 8A | 194 BPM | ||
| Chehar Aai | Aastha Rabari | G Major | 4 | 9B | 115 BPM | ||
| Sukhe Sambhare Saybi Ne Dukhe Mari Meldi | Hitesh Bharwad | C Minor | 8 | 5A | 178 BPM | ||
| Maru Daldu Dhak Dhak Thay | Naresh Thakor | D♭ Major | 9 | 3B | 170 BPM | ||
| Mannat | Kajal Maheriya | A Minor | 10 | 8A | 120 BPM | ||
| Koi Karsho Na Prem Ke Preet | Vishaldan Gadhvi | F♯ Major | 8 | 2B | 93 BPM | ||
| Mara Gher Aavo Ne Bahucharma Birdali - Original | Jignesh Barot | A Major | 10 | 11B | 62 BPM | ||
| Vagda Na Vasi | Aastha Rabari, Jigar Hathrol | A Minor | 9 | 8A | 86 BPM | ||
| Khandesh Return | Motibhai Bharwad | B♭ Major | 9 | 6B | 92 BPM | ||
| Bhabhi Tar Par Telifon Karta Ta | Savan Bharwad, Mahesh Vanzara | D♭ Minor | 10 | 12A | 192 BPM | ||
| Chehar Maa Vala | Sanjay Bhandu | E♭ Minor | 9 | 2A | 47 BPM | ||
| Janmo Ni Preet Tare Ne Mare | Rakesh Barot | B♭ Major | 9 | 6B | 143 BPM | ||
| Karme Lakhani Kali Rato | Shravan Makwana | B♭ Minor | 9 | 3A | 47 BPM | ||
| Moti Meldi Mari Mat Re | Jignesh Kaviraj | A♭ Minor | 5 | 1A | 75 BPM | ||
| Have Avija Nai To Jiv Jay Re | Naresh Thakor | D♭ Major | 9 | 3B | 85 BPM | ||
| Taro Bharoso | Kishan Raval | A Minor | 7 | 8A | 143 BPM | ||
| Aarasur Moto Se Darbar | Aastha Rabari | A Minor | 9 | 8A | 130 BPM |