"How Many Tides - After Sean Sellers" by Moriarty had its release date on March 14, 2011. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Missing Room". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. The popularity of How Many Tides - After Sean Sellers is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With How Many Tides - After Sean Sellers by Moriarty having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enjoy the Silence | Moriarty | E Minor | 1 | 9A | 100 BPM | ||
| Can You Blame the Sky? | Alela Diane | E Minor | 1 | 9A | 165 BPM | ||
| Long Is the Night | Moriarty | E Minor | 2 | 9A | 106 BPM | ||
| I Should Have Known | Roseaux, Anna Majidson | D Minor | 1 | 7A | 134 BPM | ||
| Turn Up the Satan | Ghinzu | A Minor | 5 | 8A | 144 BPM | ||
| Widow Of A Living Man | Ben Harper | F Major | 1 | 7B | 84 BPM | ||
| Bessie Smith | Emily Jane White | D Minor | 3 | 7A | 113 BPM | ||
| Mary Ruth | Anna Aaron | A Minor | 5 | 8A | 124 BPM | ||
| Aqualast | Rover | E Minor | 7 | 9A | 155 BPM | ||
| A Ghost Before the Wall | Asaf Avidan & the Mojos | F♯ Major | 4 | 2B | 117 BPM | ||
| Your Bed | Ladylike Lily | C Minor | 2 | 5A | 106 BPM | ||
| Burn The Witch | Olivier Libaux, Clare Manchon | D♭ Minor | 6 | 12A | 105 BPM | ||
| Lying | Martina Topley-Bird | B Minor | 3 | 10A | 130 BPM | ||
| In the Morning | Joe Bel | D Minor | 3 | 7A | 127 BPM | ||
| La chanson de Satie | Arthur H, Feist | B♭ Minor | 4 | 3A | 112 BPM | ||
| I Want to Be Evil | Melissa Laveaux | F Major | 3 | 7B | 90 BPM | ||
| Every Step | Charlie Winston | C Major | 2 | 8B | 161 BPM | ||
| From Glass To Ice | Mathieu Saïkaly | G Major | 3 | 9B | 100 BPM | ||
| Yaweh | Sambach | C Major | 7 | 8B | 100 BPM | ||
| Above My Head | Lou Doillon | A Minor | 4 | 8A | 81 BPM | ||
| Soundtrack to Falling in Love | Charlie Winston | D Major | 4 | 10B | 91 BPM | ||
| What Are You Trying to Do - Interlude | Irma | D Major | 3 | 10B | 132 BPM | ||
| Little More Time | Asaf Avidan & the Mojos | F♯ Major | 8 | 2B | 124 BPM | ||
| Dreams | Joe Bel | F Major | 2 | 7B | 75 BPM | ||
| A Sleeping Scene | Charles Pasi | F Major | 1 | 7B | 137 BPM |