"And the Trees Do Moan (Arr. for 2 Voices & Vocal Ensemble by Tim Keeler)" by Anonymous, Cortez Mitchell, Andy Berry, Chanticleer, Tim Keeler had its release date on October 31, 2025. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Chanticleer, Tim Keeler's "Joy to the World" album is number 12 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, And the Trees Do Moan (Arr. for 2 Voices & Vocal Ensemble by Tim Keeler)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of And the Trees Do Moan (Arr. for 2 Voices & Vocal Ensemble by Tim Keeler) by Anonymous, Cortez Mitchell, Andy Berry, Chanticleer, Tim Keeler to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liturgische Gesänge, Op. 81, Book 1 "Zur Adventszeit": No. 5, Meine Seele erhebt den Herrn | Heinrich von Herzogenberg, BYU Singers, Andrew Crane | C Major | 3 | 8B | 67 BPM | ||
| Den yndigste rose er funden (Arr. O. Faurschou) | Joseph Klug, Ole Faurschou, Akademisk Kor Århus | A Minor | 1 | 8A | 133 BPM | ||
| Stella Natalis: VI. Sleep, Child Of Winter | Karl Jenkins, Marylebone Camerata, The Adiemus Singers, Tenebrae, Alison Balsom, Zands Duggan, Jody K. Jenkins | D Major | 2 | 10B | 91 BPM | ||
| Star in the South (arr. Malcolm Sargent) | Traditional, Sir Malcolm Sargent, Elora Festival Singers, Noel Edison | A♭ Major | 1 | 4B | 71 BPM | ||
| Bogoroditse Djevo | Arvo Pärt, Ora Singers, Suzi Digby | A Major | 1 | 11B | 117 BPM | ||
| Expectans expectavi | Charles Wood, The Choir Of Trinity College, Cambridge, Stephen Layton, Jonathan Lee | G Minor | 1 | 6A | 84 BPM | ||
| In Silent Night | Musica Sacra Chamber Chorale | D♭ Major | 1 | 3B | 74 BPM | ||
| Sing Creation's Music On (Live) | Stephen Paulus, BYU Women's Chorus, Jean Applonie | A Major | 3 | 11B | 72 BPM | ||
| O Adonai | Roderick Williams, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | ||
| O Oriens | Melissa Dunphy, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | ||
| O Come, O Come, Emmanuel | Chanticleer | B Minor | 1 | 10A | 124 BPM | ||
| O Magnum Mysterium | Morten Lauridsen, VOCES8 | D Major | 0 | 10B | 84 BPM | ||
| Tomorrow Shall Be My Dancing Day (Arr. David Willcocks) | Tenebrae, Nigel Short | B♭ Major | 1 | 6B | 121 BPM | ||
| Alleluia: II. Morning | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 109 BPM | ||
| This Ember Night | Graham Lack, Voces8 | F♯ Major | 0 | 2B | 72 BPM | ||
| My Lord Has Come | Cathedral Choir | F♯ Major | 1 | 2B | 111 BPM | ||
| O Bethlehem | Beckenhorst Singers, Dan Forrest, Craig Courtney | F Minor | 2 | 4A | 114 BPM | ||
| Mathias: A Babe Is Born, Op. 55 | William Mathias, Choir of King's College, Cambridge, Thomas Trotter, Philip Ledger | C Major | 1 | 8B | 96 BPM | ||
| Alma redemptoris mater | Giovanni Pierluigi da Palestrina, Rodolfus Choir, Ralph Allwood | B♭ Major | 1 | 6B | 76 BPM | ||
| A Mighty Fortress Is Our God | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | A Major | 1 | 11B | 91 BPM | ||
| It Came Upon the Midnight Clear (Arr. Robert Rice) | Richard Storrs Willis, The King's Singers | F♯ Major | 2 | 2B | 118 BPM | ||
| Climb to the Top of the Highest Mountain (Version for Mixed Choirs & Organ) [Live] | The St. Olaf Choir, Nidarosdomens jentekor, Anton Armstrong, Magne H. Draagen | D Major | 1 | 10B | 132 BPM | ||
| Notre Père | Maurice Duruflé, Cambridge Voices, Thierry Escaich, Ian de Massini | F Major | 0 | 7B | 87 BPM | ||
| God Rest Ye Merry, Gentlemen | Anonymous, The Bach Choir, The Philip Jones Brass Ensemble, David Corkhill, John Scott, Sir David Willcocks | E Minor | 2 | 9A | 71 BPM | ||
| There is a flower | John Rutter, Choir of St. John's College, Cambridge, Christopher Gray, Bryony Macleod-Jones | C Major | 1 | 8B | 70 BPM |