Billy Simard's ' "Come on Take It" was released on its scheduled release date, May 14, 2020. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Secret". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Come on Take It's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Come on Take It by Billy Simard having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Signal on Makara Hill | Doctor Krarly | G Major | 9 | 9B | 160 BPM | ||
| Restless Roads | After Sundown | F♯ Major | 4 | 2B | 128 BPM | ||
| If This Is How Sorry Goes | Jessie Bird | E Major | 4 | 12B | 112 BPM | ||
| The Beauty of It | Chris Diller | F♯ Major | 5 | 2B | 75 BPM | ||
| Come Down | Emmett Jerome | E Major | 5 | 12B | 103 BPM | ||
| Lose More Than You Win | Matt Tejeda and The Backwoods Band | A♭ Major | 6 | 4B | 160 BPM | ||
| Sealed Memories | Craig Whitley | B♭ Major | 7 | 6B | 141 BPM | ||
| Midnight County Line | Terry Blaze | E♭ Major | 2 | 5B | 77 BPM | ||
| I Got My Back (Brody Version) | Cody & Brody | D Major | 6 | 10B | 170 BPM | ||
| Holes In The Night | Chase Stevens | A Major | 8 | 11B | 125 BPM | ||
| Aint Nothing but a Habit | Terry Douglas Band | D Major | 5 | 10B | 120 BPM | ||
| God Knows I Love You | Billy Simard | D Major | 6 | 10B | 124 BPM | ||
| Half Bad | Dave Vargo | G Major | 6 | 9B | 94 BPM | ||
| IN MY ROOM | GAIA SAVINO, ALESSANDRO SAVINO, ROBERTO RUVINETTI | C Major | 7 | 8B | 80 BPM | ||
| I Want More | Buck Wilder | E Major | 3 | 12B | 148 BPM | ||
| My Country Song | Jimi Kempsey | A Major | 5 | 11B | 132 BPM | ||
| Shadows | Billy Simard | F Minor | 6 | 4A | 122 BPM | ||
| One More Memory | Danny Kensy | A Major | 5 | 11B | 78 BPM | ||
| Neon Lights | Jeremy Grey | F♯ Minor | 9 | 11A | 132 BPM | ||
| Lanterns on Lake Wakatipu | Doctor Krarly | E Minor | 5 | 9A | 80 BPM | ||
| Trouble Bound | Paul Hennessy | B Major | 8 | 1B | 132 BPM | ||
| The Store With My Name | Buck Wilder | C Major | 2 | 8B | 120 BPM | ||
| Facing the Sun | Saint Ginger | C Major | 8 | 8B | 150 BPM | ||
| Sad Girl | Johnathan Len | A Major | 8 | 11B | 96 BPM | ||
| County Line Five | Bradley Hale | E♭ Major | 8 | 5B | 98 BPM |