On April 10, 1996, the song "Trisaran Udharti" was released by Milind Shinde. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The song is number 2 out of 8 in Budh Vihar by Anand Shinde, Milind Shinde. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Trisaran Udharti is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Trisaran Udharti by Milind Shinde is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Padki Boldhe | Mamta Chandrakar | B♭ Major | 7 | 6B | 79 BPM | ||
| Rupwati, Gudwati, Pyaari Kiti (Yashomati Phoolmati) | Suresh Wadkar, Shoba Joshi, Nishigandha Wad, Ashok Saraf | C Minor | 5 | 5A | 107 BPM | ||
| Navchandi Madhi Yatra Bharali | Balu Shinde | B Minor | 8 | 10A | 137 BPM | ||
| Ata Vandu Ata Mazi Yellama Mata | Surykant Shinde | F♯ Major | 4 | 2B | 115 BPM | ||
| Bhim Jayanti 128 Bhimacha Gaan | Utkarsh Shinde, Harshad Shinde | F♯ Minor | 10 | 11A | 118 BPM | ||
| Kedata Pora Nime Nava Pajama | Pandurang Meshram, Vaishali Kusumkar | F♯ Major | 6 | 2B | 124 BPM | ||
| Sod Hari Jaau De Mala Bazari | Milind Shinde | F Minor | 6 | 4A | 118 BPM | ||
| Yedusari Bolavati Yermalayacya Dongaravari | Chandan Kamble, Rakhi Chaure | B Minor | 9 | 10A | 135 BPM | ||
| Tohra Pe Waari Sanwriya Ae Raghubar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Gadavar Tya Jejuraat | Adarsh Shinde | A♭ Major | 9 | 4B | 160 BPM | ||
| Dhangar Vadyat Ghusla | Makrand Sardeshmukh | A Minor | 7 | 8A | 98 BPM | ||
| Bodh Ha Buddhacha Tu Jaan | Arvind Soaz | G Minor | 6 | 6A | 121 BPM | ||
| Dahi Dudha Khauni | Surykant Shinde | A♭ Minor | 9 | 1A | 111 BPM | ||
| Naka Samju Sadhi Sudhi Naathanchi Udi | Akash Shinde | C Major | 10 | 8B | 140 BPM | ||
| Tai Aamchi Honar Navari | Shakuntala Jadhav | F♯ Major | 5 | 2B | 94 BPM | ||
| Jekar Nath Bholenath | Kalpana Patowary | B♭ Minor | 6 | 3A | 122 BPM | ||
| Paisa Wali Tai, Pt. 2 | Pramod More, Babu More | A♭ Minor | 7 | 1A | 178 BPM | ||
| Sang Radhe Ruslis Ka | Suryakant Shide, Vaishali Samant | E Minor | 7 | 9A | 92 BPM | ||
| Sanwara Suratiya | Sharda Sinha | A♭ Major | 6 | 4B | 144 BPM | ||
| Sanye Sanye Jiya Karen | Narayan Soniya | F♯ Major | 9 | 2B | 152 BPM | ||
| Arey Sagara | Milind Shinde | E Major | 4 | 12B | 145 BPM | ||
| Admapurala Balumama Nandatoy | Vijay Sartape | F Minor | 7 | 4A | 120 BPM | ||
| Paon Paon - Holi Ke Baja | MANOJ TIWARI | F♯ Major | 6 | 2B | 87 BPM | ||
| Bal Bheemacha Paalna | Milind Shinde | B Minor | 4 | 10A | 77 BPM | ||
| Chhod Ke Parhal Ae Sanwaru | Gopal Rai | F♯ Major | 10 | 2B | 145 BPM |