Ray Obiedo's ' "Emergency Exit" was released on its scheduled release date, January 29, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ray Obiedo's "Iguana" album is number 9 out of 9. On top of that, United States appears to be the country where this track was created. Based on our statistics, Emergency Exit's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Emergency Exit by Ray Obiedo to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enter Forever | Ronnie Laws | C Major | 6 | 8B | 91 BPM | ||
| Let It Flow | Eric Darius | E Minor | 6 | 9A | 87 BPM | ||
| Exotica | Paul Taylor | C Major | 7 | 8B | 96 BPM | ||
| Zulaya | Ray Obiedo | F Minor | 5 | 4A | 174 BPM | ||
| Tears In The Rain | Steve Laury | G Minor | 5 | 6A | 125 BPM | ||
| Paula | Torcuato Mariano | A Major | 7 | 11B | 144 BPM | ||
| Where I Left Off | Oli Silk | C Minor | 7 | 5A | 102 BPM | ||
| Jam It | Ragan Whiteside | F Minor | 5 | 4A | 100 BPM | ||
| Kissed By the Sun | Gabriel Mark Hasselbach | G Major | 6 | 9B | 96 BPM | ||
| Midnight At The Oasis | Steve Oliver | A♭ Major | 8 | 4B | 101 BPM | ||
| Between Us (feat. Michael Stever) | Nicholas Cole, Michael Stever | D♭ Minor | 8 | 12A | 94 BPM | ||
| Getting Close | Dan Siegel | D♭ Major | 6 | 3B | 89 BPM | ||
| High Steppin' | Joe McBride | F Major | 7 | 7B | 94 BPM | ||
| Born Again | Nick Colionne | G Minor | 5 | 6A | 160 BPM | ||
| Let's Have a Good Time | Braxton Brothers | C Major | 7 | 8B | 113 BPM | ||
| Sunny Side Up (feat. Verdine White) | Freddie Ravel, Verdine White | B Minor | 7 | 10A | 97 BPM | ||
| Saturday Afternoon | Norman Connors | F Major | 9 | 7B | 170 BPM | ||
| I Need You So | Steve Laury | F Minor | 6 | 4A | 124 BPM | ||
| Open Up | Lindsey Webster | F♯ Major | 5 | 2B | 92 BPM | ||
| Can We Talk? | Dean James | F Major | 5 | 7B | 172 BPM | ||
| Southern Voice | Kool&Klean | F Minor | 7 | 4A | 152 BPM | ||
| Love's Taken Over | Nate Harasim, Jason Rahn, Jay Soto | E Minor | 8 | 9A | 172 BPM | ||
| Believe In Me | 3rd Force | B♭ Minor | 9 | 3A | 105 BPM | ||
| Tell Me Something | Quintin Gerard W. | B Minor | 8 | 10A | 144 BPM | ||
| Déjà Vu | Joe McBride | D♭ Minor | 7 | 12A | 83 BPM |