"Echoes of Georgian Dublin: Largo (The Tender Lover)" by Arthur Duff, RTE Sinfonietta, Proinnsias O'Duinn had its release date on June 13, 1996. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Romantic Ireland". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. Echoes of Georgian Dublin: Largo (The Tender Lover) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Echoes of Georgian Dublin: Largo (The Tender Lover) by Arthur Duff, RTE Sinfonietta, Proinnsias O'Duinn having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Oboe & Orchestra in C Major, K. 314/285d: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Ingo Goritzki, Polish Chamber Philharmonic & Wojciech Rajski, Wojciech Rajski, Polish Chamber Philharmonic | F Major | 1 | 7B | 79 BPM | ||
| Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 78 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Tema allegretto con gusto | Ernst Krähmer, Claudio Ferrarini | A Major | 1 | 11B | 75 BPM | ||
| Music from The Fairy Queen (1) (after Shakespeare: A Midsummer Night's Dream): Prelude | Henry Purcell, Emil Klein | G Minor | 2 | 6A | 136 BPM | ||
| Irish Idyll | Peter Dodd, Royal Ballet Sinfonia, David Lloyd-Jones | A Major | 0 | 11B | 81 BPM | ||
| Violin concerto in F major, Op.7 No.4: III Allegro | Jean-Jacques Kantorow, Orchestre d'Auvergne | C Major | 3 | 8B | 113 BPM | ||
| Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": VI. Le Galop de Rosinante / Celui d'Ane de Sanche | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | E♭ Major | 2 | 5B | 122 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variazione IV | Ernst Krähmer, Claudio Ferrarini | A Major | 1 | 11B | 75 BPM | ||
| Sonata en quator: III. Gravement | Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries | B Minor | 1 | 10A | 64 BPM | ||
| Symphony in E minor, H.I No. 44 -"Mourning": 3. Adagio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | D Major | 3 | 10B | 105 BPM | ||
| Concerto for Oboe, Strings and B.c. "Voli per l'aria": Allegro ("Hence, Iris, Hence Away" from Oratorio 'Semele', HWV 58) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | A Minor | 3 | 8A | 77 BPM | ||
| Symphony No. 1 in E Major: II. Andantino | John Abraham Fisher, Czech Philharmonic Chamber Orchestra, Petra Žďárská, Michael Halasz | A Major | 0 | 11B | 112 BPM | ||
| Aus tiefer Not schrei ich zu dir | Łukasz Bobka | G Major | 0 | 9B | 138 BPM | ||
| Concerto Armonico No. 4 in G Major: Largo affettuoso | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | B♭ Major | 1 | 6B | 70 BPM | ||
| 6 Keyboard Concertos, Op. 3: No. 6 in E-Flat Major: III. Rondo. Allegro (Performed on Harp) | Johann Samuel Schroeter, Silke Aichhorn, Südwestdeutsches Kammerorchester Pforzheim, Douglas Bostock | E♭ Major | 2 | 5B | 90 BPM | ||
| Berenice, HWV 38: Overture. Andante, larghetto "Minuet from Berenice" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | E♭ Major | 2 | 5B | 64 BPM | ||
| Rosary Sonata No. 1 in D Minor "The Annunciation" (Arr. for String Orchestra): I. Praeludium | Heinrich Ignaz Franz von Biber, Joshua Choe | D Minor | 0 | 7A | 77 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 2: I. Largo e staccato | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | G Minor | 2 | 6A | 85 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: II. Menuet I - II | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 0 | 10B | 122 BPM | ||
| Oboe Concerto in E Minor, TWV 51:e1: I. Andante | Georg Philipp Telemann, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | E Minor | 2 | 9A | 74 BPM | ||
| Miniature Dance Suite, Op. 124: Jig | Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 71 BPM | ||
| Symphony in G Major, Eisen G3, "Sinfonia pastorale": III. Presto | Leopold Mozart, Edward Allen, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 125 BPM | ||
| Motetti e sonate concertati, Op. 6: Sonata prima à 2 | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Stuck: Les Festes bolonnoises (from "Cantates françaises et italiennes", Book 4, No. 5): No. 1, Prélude | Jean-Baptiste Stuck, Gérard Lesne, Il Seminario Musicale | A♭ Major | 1 | 4B | 119 BPM | ||
| Introduxit me rex | Giovanni Pierluigi da Palestrina, Gawain Glenton, Silas Wollston | A♭ Major | 1 | 4B | 104 BPM |