"Somersault - Score" by Decoder Ring had its release date on 2005. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Somersault OST". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Somersault - Score's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Somersault - Score by Decoder Ring having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Negative Capability (feat. Abbie Cornish & Ben Whishaw) | Mark Bradshaw, Abbie Cornish, Ben Whishaw | G Major | 2 | 9B | 70 BPM | ||
| Sogg | amiina | G Major | 0 | 9B | 73 BPM | ||
| Talk To The Church | Gaussian Curve | F♯ Major | 0 | 2B | 136 BPM | ||
| Landscapes - Original | Idioma | C Major | 3 | 8B | 120 BPM | ||
| Broken Arrow | The Album Leaf | A Minor | 4 | 8A | 110 BPM | ||
| Broadcasts for Autumn Term | July Skies | C Major | 0 | 8B | 67 BPM | ||
| Threnody | Goldmund | D Major | 0 | 10B | 71 BPM | ||
| At the End Time a Dog Asleep | Kaki King | F♯ Major | 1 | 2B | 122 BPM | ||
| A Snowflake | Peter Broderick | F♯ Minor | 1 | 11A | 125 BPM | ||
| Glámur | amiina | C Major | 1 | 8B | 65 BPM | ||
| Library chat | Michael Andrews | G Major | 3 | 9B | 154 BPM | ||
| Simma | Post Pines | D Major | 4 | 10B | 134 BPM | ||
| I Love NYE | Badly Drawn Boy | F Major | 1 | 7B | 152 BPM | ||
| HoursDaysMonthsSeasons - Olga Wojciechowska Rework | Nathan Fake, Olga Wojciechowska | F Minor | 1 | 4A | 79 BPM | ||
| to Be Buried and Discovered Again | The End Of The Ocean | F Major | 2 | 7B | 62 BPM | ||
| Point No Point | Decoder Ring | A Major | 2 | 11B | 62 BPM | ||
| Police Police Police Police Police | David Moore, Bing & Ruth | D♭ Minor | 1 | 12A | 79 BPM | ||
| Moscow Is in the Telephone | Christian Erik Frederickson, Jason Bingham Noble, Rachel Grimes, Rachel's | E Minor | 2 | 9A | 61 BPM | ||
| Earnest Leslye | Peter Broderick | D Major | 1 | 10B | 126 BPM | ||
| Wild Peace | Ekko, Frithjof Toksvig | A Major | 2 | 11B | 99 BPM | ||
| Dreamland | Valgeir Sigurðsson | D♭ Major | 1 | 3B | 108 BPM | ||
| Wet The Day | The Album Leaf | A Major | 3 | 11B | 141 BPM | ||
| Passing By - 2019 remaster | Ulrich Schnauss | A Major | 6 | 11B | 100 BPM | ||
| #3 (Rhubarb) | Brendan Eder Ensemble | F♯ Minor | 1 | 11A | 63 BPM | ||
| All Things Must Fall | Dustin O'Halloran | C Minor | 0 | 5A | 125 BPM |