"Percussion Take 2" by Sammy Burdson had its release date on January 1, 1975. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 20 in Dramatic Tempo / Larry Robbins Background Rhythms by Sammy Burdson, Klaus Weiss. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Percussion Take 2's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Percussion Take 2 by Sammy Burdson is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Once Upon a Dream | Clive Richardson | G Major | 2 | 9B | 85 BPM | ||
| Anxiety | Paradojas | D♭ Minor | 4 | 12A | 174 BPM | ||
| Rimorsi Tardivi | Gangli | B♭ Major | 0 | 6B | 105 BPM | ||
| E lo scherzo finisce | Carlo Rustichelli | A Major | 0 | 11B | 135 BPM | ||
| Centurion (A) | Sammy Burdson | D Major | 6 | 10B | 137 BPM | ||
| Dark Matter Real | Food Man | F Major | 2 | 7B | 76 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Maschinen | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | B Major | 1 | 1B | 132 BPM | ||
| Soul | Oryndar | G Major | 7 | 9B | 155 BPM | ||
| The Last Traces of Decency | Martin Dirkov | G Major | 2 | 9B | 68 BPM | ||
| Non Stop | John Malcolm | F Major | 6 | 7B | 143 BPM | ||
| Too Tall For Defeat | Fiona Ubong | E♭ Minor | 1 | 2A | 132 BPM | ||
| Game Plan For Sudden Death | Sam Spence | C Major | 6 | 8B | 114 BPM | ||
| Counterpoint Court | Food Man | C Major | 0 | 8B | 120 BPM | ||
| Million-Dollar Project 1 - Remastered | John Fiddy, Sammy Burdson | E♭ Major | 3 | 5B | 143 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Maschinenhalle mit Moloch | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | C Minor | 0 | 5A | 88 BPM | ||
| Deep in My Drums - Remastered | Larry Robbins, Sammy Burdson | F Major | 7 | 7B | 169 BPM | ||
| Street Beat | Kenny Graham | F Minor | 4 | 4A | 146 BPM | ||
| Gingerbread | Alan Hawkshaw | F Major | 2 | 7B | 118 BPM | ||
| Ocean Terminal | Ralph Dollimore | F Major | 6 | 7B | 149 BPM | ||
| Childrens | Pasquale Catalano, Marco D’amore | G Major | 2 | 9B | 130 BPM | ||
| Mareshah | Vessels Of Judah | D♭ Major | 3 | 3B | 117 BPM | ||
| Heavy Machinery - Remastered | John Fiddy, Sammy Burdson | F♯ Major | 8 | 2B | 101 BPM | ||
| Incipit Del Sogno | Gangli | B♭ Minor | 2 | 3A | 100 BPM | ||
| Touchdown Jubilee | Sam Spence | E Minor | 8 | 9A | 125 BPM | ||
| Atlantic City | David Holmes, Brian Irvine | D Major | 6 | 10B | 131 BPM |