Mukesh, Naqsh Lyallpuri's ' "Main To Har Mod Par (Happy)" was released on its scheduled release date, January 2, 1970. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 3 in Chetna (Original Motion Picture Soundtrack) by Sapan Jagmohan, Naqsh Lyallpuri. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Main To Har Mod Par (Happy) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Main To Har Mod Par (Happy) by Mukesh, Naqsh Lyallpuri is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tumhein Geeton Mein Dhalonga | Jaspal Singh, Kalyani Mitra | A Major | 6 | 11B | 92 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| Kabhi Khusiyon Ki Sargam | Mohammed Aziz, Alka Yagnik, Vinod Rathod | C Major | 8 | 8B | 176 BPM | ||
| Tumhen Zindagi Ke Ujale Mubarak | Mukesh, Kalyanji-Anandji | F Minor | 4 | 4A | 78 BPM | ||
| Jane Bhi De Sanam | Sharada | C Major | 3 | 8B | 104 BPM | ||
| Ankhon Men Masti Sharab Ki | Talat Mahmood, Salil Chowdhury | G Major | 3 | 9B | 173 BPM | ||
| Main Na Bhoolunga-1 - Sad | Lata Mangeshkar, Mukesh, Laxmikant–Pyarelal | F♯ Major | 3 | 2B | 133 BPM | ||
| Sultana Mera Naam Hai Sultana | Usha Mangeshkar | G Minor | 6 | 6A | 101 BPM | ||
| Chal Ri Sajni Ab Kya Soche | Mukesh, S. D. Burman | F Major | 3 | 7B | 139 BPM | ||
| Ham Haal-E-Dil Sunaenge | Mubarak Begum | F♯ Minor | 1 | 11A | 89 BPM | ||
| Aansoo Bhari Hai Ye Jeevan Ki | Mukesh | F Minor | 4 | 4A | 70 BPM | ||
| So Gaya Yeh Jahan | Nitin Mukesh, Alka Yagnik, Shabbir Kumar | E Major | 5 | 12B | 142 BPM | ||
| Ankhon Hi Ankhon Mein | O. P. Nayyar, Jan Nisar Akhtar | F Major | 4 | 7B | 159 BPM | ||
| Wafa Na Raas Aaee Tujhe O Harjai | Nitin Mukesh | D♭ Major | 6 | 3B | 113 BPM | ||
| Hum Aaj Kahin Dil Kho Baithe | Mukesh | F Major | 4 | 7B | 110 BPM | ||
| Tujhe Bhoolna To Chaha Lekin Bhoola Na Paye | Anuradha Paudwal, Nitin Mukesh | D Major | 4 | 10B | 117 BPM | ||
| Suhana Safar Aur Yeh Mausam | Mukesh | G Minor | 3 | 6A | 151 BPM | ||
| Kya Mil Gaya Bhagwan | Noor Jehan | D♭ Major | 4 | 3B | 121 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| Bole Re Papihara | Vani Jairam | D♭ Minor | 7 | 12A | 89 BPM | ||
| Jis Dil Ne Tujhko | Kumar Sanu, Anupama | C Major | 10 | 8B | 135 BPM | ||
| Yeh Pyar Tha Ya Kuchh Aur Tha | Sudha Malhotra, Anwar Hussain, Laxmikant–Pyarelal | D Major | 7 | 10B | 173 BPM | ||
| Ae Dil Ab Kahin Le Ja | Hemant Kumar, Kalyanji-Anandji | G Minor | 6 | 6A | 128 BPM | ||
| Zindagi Tujh Ko Jiya Hai | Chitra Singh | A♭ Minor | 4 | 1A | 136 BPM | ||
| Yaarana Yaar Ka | Kumar Sanu, Vipin Sachdeva | B Minor | 6 | 10A | 93 BPM |