GASHI's ' "Comes To Light" was released on its scheduled release date, October 11, 2024. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 18 in Brooklyn Cowboy by GASHI. In terms of popularity, Comes To Light is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Comes To Light by GASHI is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remember Us | John Morgan | F♯ Minor | 8 | 11A | 142 BPM | ||
| What I Got Left | GASHI | A Major | 4 | 11B | 92 BPM | ||
| Champagne In The Morning | Redferrin | F Major | 5 | 7B | 120 BPM | ||
| See You At (The Crossroads) | Austin Williams | F Major | 7 | 7B | 140 BPM | ||
| We Weren't Meant to Be | Austin Snell | C Major | 8 | 8B | 156 BPM | ||
| Walls | Will Swinton | E♭ Major | 3 | 5B | 127 BPM | ||
| Once Upon a Backroad | Nick Smith | G Minor | 5 | 6A | 157 BPM | ||
| Somewhere In The Rockies | Redferrin | B Minor | 7 | 10A | 91 BPM | ||
| Where She Ain't | Michael Warren | F♯ Major | 9 | 2B | 174 BPM | ||
| letting go | Adam Yokum | B♭ Major | 4 | 6B | 120 BPM | ||
| something real | Adam Yokum | A Minor | 3 | 8A | 80 BPM | ||
| Made You Proud | GASHI | A Minor | 6 | 8A | 122 BPM | ||
| Always Be Mine | Chase Matthew | F Major | 8 | 7B | 156 BPM | ||
| Sleeping On My Left | GASHI | A♭ Minor | 4 | 1A | 136 BPM | ||
| East Of The Massanutten | Shaboozey | A Major | 6 | 11B | 108 BPM | ||
| Man Up | Greylan James | C Major | 6 | 8B | 134 BPM | ||
| Make Up for Lost Time | Trevor Snider | D♭ Major | 8 | 3B | 146 BPM | ||
| Feels Right (feat. Rose Gold) | GASHI, Rose Gold | B Major | 3 | 1B | 120 BPM | ||
| Paint a Wall | Trevor Snider | G Major | 8 | 9B | 76 BPM | ||
| All About Us | J. Michael Phillips | G Major | 5 | 9B | 135 BPM | ||
| CALL HER COWBOY | Chris Andreucci | A♭ Major | 8 | 4B | 102 BPM | ||
| Take It Out On Me | Eddie And The Getaway | D Major | 8 | 10B | 157 BPM | ||
| CrazyLittleDreams | ill Nicky | D Minor | 5 | 7A | 158 BPM | ||
| I NEVER COULD | Kiremi | F Minor | 7 | 4A | 180 BPM | ||
| The Call | Owen Riegling | F Minor | 8 | 4A | 128 BPM |