"1 a.m. (After Midnight Reprise) - Bonus Track" by Mark Martin had its release date on October 24, 2020. This song is quite longer than the average track at 6 minutes and 3 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The song is number 10 out of 11 in After Midnight by Mark Martin. Based on our statistics, 1 a.m. (After Midnight Reprise) - Bonus Track's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 1 a.m. (After Midnight Reprise) - Bonus Track by Mark Martin is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 9 Knives | Symbolic Field | E Minor | 10 | 9A | 120 BPM | ||
| Apathy as Arsenic Lethargy as Lead | Ashenspire | F♯ Minor | 10 | 11A | 148 BPM | ||
| Autopsy Song | Otep | D Major | 3 | 10B | 107 BPM | ||
| Bleak Visions | The Algorithm | G Minor | 9 | 6A | 163 BPM | ||
| Beautiful War | The Gathering | G Major | 6 | 9B | 171 BPM | ||
| 07:09 | Tallah | A Minor | 6 | 8A | 174 BPM | ||
| The Fate Is The Gate | Mark Martin | A Minor | 9 | 8A | 132 BPM | ||
| Amar para Morir | Loneliness | G Major | 8 | 9B | 132 BPM | ||
| Roads Become Rivers | Rothko | E Minor | 3 | 9A | 114 BPM | ||
| Oslo, Pt. 1 | Emma Ruth Rundle | D Major | 4 | 10B | 99 BPM | ||
| Raining Blood | Mark Martin | A♭ Minor | 9 | 1A | 128 BPM | ||
| Wilkinson's Sword | Couch Slut | G Major | 9 | 9B | 119 BPM | ||
| Insanity Megalovania | Hiro | B Minor | 9 | 10A | 130 BPM | ||
| Ritual I | Amenra | B Major | 8 | 1B | 122 BPM | ||
| Morticide (Corpse Fight) | Jonathan Evans, Matthias Nicoll Bossi, Ridiculon | A♭ Major | 9 | 4B | 130 BPM | ||
| No Room In Hell | Mark Martin | A Minor | 9 | 8A | 90 BPM | ||
| fall from grace | Yandere | E Major | 9 | 12B | 90 BPM | ||
| it still feels real to me | Midrift | F Minor | 7 | 4A | 115 BPM | ||
| Gameshow | Ministry | E♭ Major | 5 | 5B | 97 BPM | ||
| Gluttony | Gospod | D♭ Major | 6 | 3B | 130 BPM | ||
| Go and Hope | Emptiness | E Minor | 8 | 9A | 128 BPM | ||
| Doomsday Clock | Conquering Dystopia | D♭ Minor | 2 | 12A | 101 BPM | ||
| One Year From Now | Katatonia | D♭ Major | 4 | 3B | 130 BPM | ||
| Sahra Yaesa | Al-Namrood | G Major | 10 | 9B | 140 BPM | ||
| Page 2 | Fantomas | F Major | 4 | 7B | 141 BPM |