Mary McKee and The Genesis's 'He Was There All the Time' had a release date set for January 28, 2013. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mary McKee and The Genesis's "In Nashville" album is number 4 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, He Was There All the Time's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of He Was There All the Time by Mary McKee and The Genesis to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Here in My Own Town | Mary McKee and The Genesis | C Major | 3 | 8B | 129 BPM | ||
| A Thing Called Love | Ed Bruce | G Major | 5 | 9B | 156 BPM | ||
| Sorry I Never Knew You | The Browns | D♭ Major | 4 | 3B | 142 BPM | ||
| Help Me | Mary McKee and The Genesis | C Major | 7 | 8B | 133 BPM | ||
| Lilly Of The Valley | Alan Ladd | A Major | 3 | 11B | 129 BPM | ||
| Paper Roses / Take Me Home Country Road / Top Of the World | Springbok | A♭ Major | 4 | 4B | 123 BPM | ||
| Vaya Con Dios | Patsy Riggir | A Major | 2 | 11B | 92 BPM | ||
| Lord Build Me A Cabin In Glory Land | Alan Ladd | A Major | 3 | 11B | 129 BPM | ||
| On the Wings of a Snow White Dove | Christine McLean & Vic Wilson | G Major | 8 | 9B | 185 BPM | ||
| Lay Down Beside Me | Ben Steneker, Carmen Steneker | A Major | 4 | 11B | 109 BPM | ||
| Beautiful Brown Eyes | Eileen King | C Major | 5 | 8B | 99 BPM | ||
| When I'm in Love With Someone New | Katja Picker | F Major | 6 | 7B | 82 BPM | ||
| The Lord Is My Shepherd | Mary McKee and The Genesis | C Major | 2 | 8B | 122 BPM | ||
| Nothing But My Name | KoHarmony, Jessie Praise | E Major | 2 | 12B | 98 BPM | ||
| Just A Closer Walk With Thee | Cristy Lane | G Major | 4 | 9B | 116 BPM | ||
| He Came a Long Way | Mary McKee and The Genesis | B♭ Major | 6 | 6B | 121 BPM | ||
| Across The Bridge | Ronéll Erasmus | B♭ Major | 7 | 6B | 97 BPM | ||
| At the cross | Pieter Coffee & Friends | B♭ Major | 3 | 6B | 79 BPM | ||
| My Songbird | Mary McKee and The Genesis | B♭ Major | 5 | 6B | 80 BPM | ||
| Rose of Cimarron | Sandy Posey | D♭ Major | 6 | 3B | 80 BPM | ||
| Softly You Rain | Gobi Martin, Sannah Kock | A Major | 9 | 11B | 100 BPM | ||
| We Call On Him | Kent Lundberg, One Way Brothers | A Major | 9 | 11B | 183 BPM | ||
| Saved Through Jesus’ Blood | The Spencers | G Major | 3 | 9B | 174 BPM | ||
| Goodnight, Irene | Priscilla Herdman | C Major | 2 | 8B | 146 BPM | ||
| Softly And Tenderly | Cristy Lane | E♭ Major | 4 | 5B | 82 BPM |