R. Chayadevi's ' "Chivuruniche Naa Brathuku" was released on its scheduled release date, May 13, 1991. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in R. Chayadevi's "Mukthi Margam" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Chivuruniche Naa Brathuku is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Chivuruniche Naa Brathuku by R. Chayadevi to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ganesha Dhyanam | S.Rajeshwari | C Major | 4 | 8B | 141 BPM | ||
| Stuti: Vishwambhari Stuti | Nayan Pancholi, Gargi Vora | C Major | 1 | 8B | 106 BPM | ||
| Narasimha Mangalastakam | Bhaktiranjan | A Major | 3 | 11B | 78 BPM | ||
| Hatkeshwar Stuti | Abhay Anjariya, Dhara Mankad, Shailesh Pandya | D♭ Major | 5 | 3B | 100 BPM | ||
| Evi Garbi Sampuran Saar | Nargis Balolia | D Major | 4 | 10B | 143 BPM | ||
| Jai Kripa Kand Mukund | Prem Prakash Dubey | F♯ Major | 4 | 2B | 179 BPM | ||
| Itni Shakti Mujhe Do | Dheera Ghosh | F♯ Major | 2 | 2B | 125 BPM | ||
| Jagat Janani | Bhanumathi Narasimhan | F♯ Major | 8 | 2B | 111 BPM | ||
| Bhaja Govindam Bhaja Govindam | Sri Sathya Sai Bhajans | F♯ Major | 5 | 2B | 107 BPM | ||
| Abhayam Abhayam Amma | Bhanumathi Narasimhan | A Major | 6 | 11B | 111 BPM | ||
| Lakshmeem Ksheera | M. S. Rama Rao | F♯ Major | 3 | 2B | 130 BPM | ||
| Daro Na Daro Mope Rang | Mahesh Kale | E♭ Major | 5 | 5B | 146 BPM | ||
| Jay Deva Ganesha Namo | Upasak - Manoj Tamhankar, Rahul Deshpande | A Minor | 5 | 8A | 110 BPM | ||
| Param Pavitram - With Commentary | Sudhir Dalvi | A♭ Minor | 2 | 1A | 99 BPM | ||
| Mata Tere Charno | Santi Kunj | A♭ Major | 6 | 4B | 81 BPM | ||
| Santana Prapaitti Vigneshwara Stotram | Bangalore Sisters, Ajey Warrior, M. S. Pareekshita Rao | F Major | 4 | 7B | 147 BPM | ||
| Madhilo | T. Ajay Kumar, R. Chayadevi | C Major | 4 | 8B | 125 BPM | ||
| Dola | Sri Ganapathy Sachchidananda Swamiji | F Major | 1 | 7B | 105 BPM | ||
| Taraka Bindige | N Parthasarathy, Spoorthi Rao | F Major | 2 | 7B | 74 BPM | ||
| Shuklambaradharam Ganapati Mantram | Sri Sathya Sai Bhajans | B♭ Minor | 8 | 3A | 140 BPM | ||
| Thillana - 1969 | Namagiripettai Krishnan | F Major | 6 | 7B | 103 BPM | ||
| Ambika Tanaya Vinayaka | Dappu Srinu | F Major | 8 | 7B | 104 BPM | ||
| Bahe Dheere Dheere Naiya | N. H. Shami, Vinod | D Minor | 6 | 7A | 135 BPM | ||
| Yagya Roop Prabhu Hamare Bhaab Ujjwal Kijiye | Rashmi Yogini | A♭ Major | 6 | 4B | 154 BPM | ||
| Mahaalakshmi Ashtakam | M. S. Sheela | A Major | 4 | 11B | 135 BPM |