Jimmy Raj, Puttur Narasimha Nayak's ' "Novuntu Nalivuntu" was released on its scheduled release date, January 13, 2022. This song is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 4 out of 8 in Bhakta Hrudayesha Shabhari Girivasa by Jimmy Raj, B.V. Srinivas. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Novuntu Nalivuntu is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Novuntu Nalivuntu by Jimmy Raj, Puttur Narasimha Nayak is Presto (very, very fast), since this song has a tempo of 185 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bittu Bande Nee | Ju.Shivarajkumar, Mangala | G Major | 7 | 9B | 80 BPM | ||
| Din Bhar Chahe Rahiyo | Arzoo Bano | E Minor | 3 | 9A | 110 BPM | ||
| Ramu Chanana Jhirmir Jhirmir Re | Seema Mishra, Rakesh Kala | D♭ Major | 4 | 3B | 82 BPM | ||
| Chiraiya La Ke Goti Marav | Mithlesh Sahu, Mamta Sahu | G Major | 5 | 9B | 104 BPM | ||
| Mere To Girdhar Gopal | Varsha Shrivastava | D♭ Major | 7 | 3B | 150 BPM | ||
| Aisi Lagi Lagan Meera Ho Gayi Magan | Anup Jalota | B♭ Minor | 7 | 3A | 133 BPM | ||
| Nanda Nanda | Dr. Manikantan Menon | F Major | 5 | 7B | 126 BPM | ||
| Jooju Mallige Jajiya Sampige | B. R. Chaya, Baby Megha Padmapani | A Major | 4 | 11B | 118 BPM | ||
| Ako Shaama | Premalatha Divakar | C Major | 4 | 8B | 160 BPM | ||
| Mari Mena Re Bole | NARAYANSWAMI | F Major | 6 | 7B | 154 BPM | ||
| Pawan Mand Sugandh Sheetal (Shree Badrinathji Ki Aarti) | Anuradha Paudwal | F♯ Minor | 5 | 11A | 170 BPM | ||
| Melagalollenu | K. Yuvaraj | C Major | 6 | 8B | 129 BPM | ||
| Utaro Aarti Bholenath Ki | Asha Bhosle | D♭ Minor | 6 | 12A | 77 BPM | ||
| Jayatu Jaya Jaya | Surekha | F Major | 5 | 7B | 171 BPM | ||
| Naam Tumhara Taran Hara | Rakesh Kala, Ramesh Tanwar, Shailendra, Anjali Jain | B Major | 5 | 1B | 96 BPM | ||
| Sharanu Sharanayya | Surekha, Shamitha | D Minor | 5 | 7A | 133 BPM | ||
| Kateelu Kshetrada | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, K.S. Surekha, B. R. Chaya, Nanditha, Soumya | C Major | 5 | 8B | 91 BPM | ||
| Shabari Giriya | Dr.Rajkumar, Chorus, M. Ranga Rao, Chi. Udayashankar | F Major | 8 | 7B | 81 BPM | ||
| Ab Na Bani To Phir Na Banegi | Hari Om Sharan | B♭ Minor | 6 | 3A | 80 BPM | ||
| Adharam Madhuram Vadanam Madhuram | Lopita Mishra | A Major | 6 | 11B | 118 BPM | ||
| 108 Naam - Maa Bhagwati | Chand Kumar | E♭ Minor | 6 | 2A | 115 BPM | ||
| Om Hiranyavarnam | Jimmy Raj, S A Archana, Sriram | F♯ Major | 6 | 2B | 102 BPM | ||
| Mujhe Mila Rangeela Yaar | Vinod Agarwal | E♭ Major | 6 | 5B | 139 BPM | ||
| Mysorinali | Puttur Narasimha Nayak | F♯ Major | 5 | 2B | 112 BPM | ||
| Ram Naam Ke Pyale | Mahendra Kapoor, Lakhbir Singh Lakkha, Mohammad Salamat, Sarvesh Kumar | C Major | 3 | 8B | 92 BPM |