"#17" by Aphex Twin had its release date on March 7, 1994. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. #17's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Selected Ambient Works Volume II". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, #17's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With #17 by Aphex Twin having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We No Longer Need Ourselves | Secede | C Major | 5 | 8B | 124 BPM | ||
| Cascade | The Future Sound Of London | D♭ Major | 4 | 3B | 129 BPM | ||
| Late October - 2005 Digital Remaster | Harold Budd, Brian Eno | D♭ Minor | 0 | 12A | 123 BPM | ||
| Hasty Boom Alert | µ-Ziq | A Major | 9 | 11B | 94 BPM | ||
| Dungeoneering | Tim Hecker | A♭ Minor | 7 | 1A | 73 BPM | ||
| Shisheido | Fennesz | A Major | 3 | 11B | 120 BPM | ||
| Biodome | 尾島由郎 | E♭ Major | 1 | 5B | 79 BPM | ||
| datastream | boy 2000 | B♭ Minor | 7 | 3A | 120 BPM | ||
| 2/2 - Remastered 2004 | Brian Eno | D Minor | 0 | 7A | 67 BPM | ||
| Yellow Calx | Aphex Twin | C Major | 6 | 8B | 132 BPM | ||
| Buried | Casino Versus Japan | C Major | 4 | 8B | 130 BPM | ||
| Midi Sans Frontieres (Avec Batterie) | Squarepusher | A Major | 6 | 11B | 153 BPM | ||
| Cut Up Piano & Xylophone - Remastered | Fridge | D♭ Major | 5 | 3B | 87 BPM | ||
| Over The Horizon Radar | Boards of Canada | E Major | 1 | 12B | 180 BPM | ||
| Boreal Kiss Pt. 1 | Tim Hecker | F Minor | 0 | 4A | 135 BPM | ||
| Ice Cream (Chapter VIII) | Leon Vynehall | F♯ Major | 4 | 2B | 104 BPM | ||
| Looped | Bowery Electric | D Major | 0 | 10B | 70 BPM | ||
| Endorphin | Burial | C Minor | 3 | 5A | 169 BPM | ||
| Soft Meadow | Green-House | B♭ Major | 1 | 6B | 78 BPM | ||
| Drift - Remastered 2005 | Brian Eno | F Major | 1 | 7B | 69 BPM | ||
| #12 | Aphex Twin | D♭ Major | 3 | 3B | 176 BPM | ||
| Tobiume | Susumu Yokota | F♯ Major | 3 | 2B | 104 BPM | ||
| The Praetorian | Shed | C Major | 9 | 8B | 124 BPM | ||
| #21 | Aphex Twin | A Minor | 1 | 8A | 73 BPM | ||
| When The Sun Shines Through | Placid Angles | C Major | 1 | 8B | 86 BPM |