Christopher Gibbons, Matthew Locke, Consort Of Musicke, Anthony Rooley's ' "Cupid and Death: Fifth Entry: Mercury Descends: Apes and Satyr Dance" was released on its scheduled release date, 1968. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 171 in English Renaissance and Baroque Music Edition by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Cupid and Death: Fifth Entry: Mercury Descends: Apes and Satyr Dance is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Cupid and Death: Fifth Entry: Mercury Descends: Apes and Satyr Dance by Christopher Gibbons, Matthew Locke, Consort Of Musicke, Anthony Rooley is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fürchtet euch nicht | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 99 BPM | ||
| Missa Quadragesimalis, MH 552: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Fantasy-Suite in D Minor: II. Allman | Christopher Gibbons, The English Concert, Harry Bicket | B Major | 10 | 1B | 110 BPM | ||
| Composizioni per Organo e Cembalo: Intonazione cromatica del nono tono | Tarquinio Merula, Bernard Foccroulle | F♯ Major | 1 | 2B | 54 BPM | ||
| Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | ||
| Israel in Egypt, HWV 54: Pt. I: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 113 BPM | ||
| Te Deum, H. 146: IV. Per te orbem terrarum | Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 180 BPM | ||
| A Verse for the Organ | Christopher Gibbons, Geoffrey Webber | G Major | 0 | 9B | 80 BPM | ||
| O Hearken | Roxanna Panufnik, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 66 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" | Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
| Ouverture in G Major: II. Gavotte en rondeau | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 2 | 7B | 75 BPM | ||
| Première suite à 3 violes in D Major: No. 9, Rondeau | Marin Marais, François Joubert-Caillet, L'Achéron | F Major | 1 | 7B | 122 BPM | ||
| Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison II | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
| Flute Sonata in G Major, Op. 1 No. 5, HWV 363b: III. [Adagio] | George Frideric Handel, Lisa Beznosiuk, Richard Tunnicliffe, Paul Nicholson | E♭ Minor | 0 | 2A | 81 BPM | ||
| Graduale: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 1 | 5A | 135 BPM | ||
| Sonate da camera a tre, Op. 2 No. 1 in D Major: III. Coreente | Arcangelo Corelli, Purcell Quartet, Catherine Mackintosh, Elizabeth Wallfisch, Richard Boothby, Robert Woolley, Jakob Lindberg | C Major | 1 | 8B | 101 BPM | ||
| Messa a 5 Concertata: VI. Et in terra pax | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 60 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
| Membra Jesu nostri, BuxWV 75: IIIa. Ad manus: Quid sunt plagae istae | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
| Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
| Sonate concertate a due e tre voci, Book 1: No. 18, Sonata sopra "La novella" | Giuseppe Scarini, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Ian Honeyman, Peter Kooij, Paul Dombrecht | D♭ Minor | 1 | 12A | 180 BPM | ||
| Missa super Christ unser Herr (Kyrie) | Christoph Bernhard, Vox Luminis, Lionel Meunier, Bart Jacobs | A Minor | 1 | 8A | 63 BPM | ||
| Messiah, Pt. 1: 14. Pifa (Pastoral Symphony) | George Frideric Handel, Dunedin Consort, John Butt | B Major | 0 | 1B | 136 BPM | ||
| Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM |