"Seems Like Most Everything Used To Be Something Else" by The Six Parts Seven had its release date on December 14, 2001. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Things Shaped In Passing". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Seems Like Most Everything Used To Be Something Else's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seems Like Most Everything Used To Be Something Else by The Six Parts Seven having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Something For Chicago | K.C. Accidental | F♯ Minor | 2 | 11A | 123 BPM | ||
| Ten-Day Interval | Tortoise | A Minor | 4 | 8A | 150 BPM | ||
| Zen Strings | Zentra Zen | G Major | 1 | 9B | 100 BPM | ||
| For Years And Years | Helios | D♭ Major | 2 | 3B | 113 BPM | ||
| Bye Mom | El Ten Eleven | C Major | 3 | 8B | 124 BPM | ||
| It's Dark It's Cold It's Winter | sleepmakeswaves | E Major | 3 | 12B | 88 BPM | ||
| Origin of... | Foster Parents | A♭ Major | 7 | 4B | 111 BPM | ||
| Moksha | Caspian | B Major | 5 | 1B | 77 BPM | ||
| Inside Jan Brady's Head | Can Robots Pray? | F♯ Minor | 4 | 11A | 172 BPM | ||
| This Shameless Moment | Saxon Shore | E Major | 8 | 12B | 128 BPM | ||
| Rise and Coffee Grinds | Stage Kids | F♯ Minor | 6 | 11A | 158 BPM | ||
| White Light Of | Do Make Say Think | D♭ Minor | 4 | 12A | 105 BPM | ||
| Be a Bright Blue | Saxon Shore | E Major | 2 | 12B | 66 BPM | ||
| Dripping Whispers | The Soul's Release | G Major | 3 | 9B | 100 BPM | ||
| Confusing Possibilities | The Six Parts Seven | E Major | 5 | 12B | 119 BPM | ||
| Mountain House | Tides Of Man | C Major | 10 | 8B | 158 BPM | ||
| See the Storm | Random Forest | E♭ Major | 4 | 5B | 104 BPM | ||
| Epochs in Dmaj | Caspian | D Major | 2 | 10B | 93 BPM | ||
| Paraboloid | Lymbyc Systym | C Minor | 7 | 5A | 110 BPM | ||
| Sorrow Into Lights | 福田 遼, SEGA GAME MUSIC, SEGA SOUND TEAM | F♯ Minor | 4 | 11A | 172 BPM | ||
| Dragonfly Across An Ancient Sky | Helios | D♭ Major | 4 | 3B | 150 BPM | ||
| Reframe | Flicker Rate | E Minor | 7 | 9A | 140 BPM | ||
| Cmf | Caspian | C Major | 2 | 8B | 167 BPM | ||
| All Out Of... | Sharks Keep Moving | A Minor | 7 | 8A | 129 BPM | ||
| A Fleeting Encounter | For What You Burn | D Minor | 2 | 7A | 100 BPM |