"Variations on a Theme by Chopin: Var. 8. Andante dolce e espressivo" by Federico Mompou, Daniil Trifonov had its release date on October 6, 2017. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Variations on a Theme by Chopin: Var. 8. Andante dolce e espressivo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 28 out of 33 in Chopin Evocations by Daniil Trifonov, Mahler Chamber Orchestra, Mikhail Pletnev, Sergei Babayan, Edvard Grieg, Federico Mompou, Frédéric Chopin, Pyotr Ilyich Tchaikovsky, Robert Schumann, Samuel Barber. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Variations on a Theme by Chopin: Var. 8. Andante dolce e espressivo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Variations on a Theme by Chopin: Var. 8. Andante dolce e espressivo by Federico Mompou, Daniil Trifonov is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Danzas españolas, Op. 37: V. Andaluza (Playera) | Enrique Granados, Stephen Hough | E♭ Major | 0 | 5B | 50 BPM | ||
| 2 Sonatinas for Piano, Op. 1 No. 2: II. Largo | Georgijs Osokins, Arvo Pärt | E Major | 0 | 12B | 72 BPM | ||
| 9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
| Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort | Mel Bonis, Bertrand Chamayou | B Minor | 0 | 10A | 81 BPM | ||
| 3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | C Major | 0 | 8B | 66 BPM | ||
| Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Nocturne No. 3 in A-Flat Major, H. 26 | John Field, Alice Sara Ott | A♭ Major | 0 | 4B | 70 BPM | ||
| Woman's Prayer | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
| Bagatellen: IV | Valentin Silvestrov | D♭ Major | 0 | 3B | 67 BPM | ||
| No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Major | 8 | 10B | 129 BPM | ||
| 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
| 6 Encores for Piano (1965): No. 3, Wasserklavier | Luciano Berio, Marino Formenti | D♭ Major | 0 | 3B | 75 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| 3 Songs, Op. 7: No. 1 "Après un rêve" (Arr. for Piano by Lucas Debargue) | Gabriel Fauré, Lucas Debargue | F Minor | 0 | 4A | 95 BPM | ||
| Primer cuaderno: III. Placide | Federico Mompou | B♭ Major | 0 | 6B | 105 BPM | ||
| Primer cuaderno: II. Lent | Federico Mompou | E Minor | 0 | 9A | 101 BPM | ||
| Remember Me (Arr. Hough for Piano) - From "Coco" | Stephen Hough | E♭ Major | 0 | 5B | 50 BPM | ||
| Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Minor | 0 | 3A | 73 BPM | ||
| 6 Piano Pieces, Op. 26: No. 2, Pastoral Atmosphere | Toivo Kuula, Adam Johnson | F Major | 0 | 7B | 125 BPM | ||
| Valse lente | Germaine Tailleferre, Pierpaola Porqueddu | A Major | 0 | 11B | 66 BPM | ||
| Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
| Nocturnes, Fp 56: Nocturne No.6, Très Calme Mais Sans Traîner | Francis Poulenc, Irene Cantos | C Major | 1 | 8B | 74 BPM | ||
| Scarlatti: Sonata in A Major, K 208 | Domenico Scarlatti, Lavinia Meijer | E♭ Major | 0 | 5B | 50 BPM | ||
| Handel: Keyboard Suite in G Minor, HWV 434: IV. Minuet (Arr. Kempff for Solo Piano) | George Frideric Handel, David Fray | D Minor | 1 | 7A | 66 BPM |