Slipped's 'Deviating' had a release date set for July 1, 2025. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The song is number 12 out of 13 in Final Days by Slipped. In terms of popularity, Deviating is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Deviating by Slipped is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eternity | Harai The Maid, Madoi The Maid | B Minor | 5 | 10A | 111 BPM | ||
| Misled | Baby on a Rampage | E Minor | 9 | 9A | 121 BPM | ||
| On the Other Side | STAKE | D♭ Major | 6 | 3B | 88 BPM | ||
| Cynical | Bleed | D Major | 7 | 10B | 156 BPM | ||
| Dead End | Alec Koff | C Major | 7 | 8B | 114 BPM | ||
| airplanes | Nextime, We Are Not Friends | F Major | 10 | 7B | 90 BPM | ||
| The Coral Crown | UZLAGA | F Major | 10 | 7B | 200 BPM | ||
| Project Basement | Madoi The Maid | E♭ Major | 9 | 5B | 120 BPM | ||
| Fallen Soul | Hard Mind | D♭ Major | 8 | 3B | 96 BPM | ||
| In Bloom | Slipped | F Major | 8 | 7B | 120 BPM | ||
| Corpse Dragging | anyutka | D Minor | 9 | 7A | 125 BPM | ||
| Reflections of the Dead | A Pale Horse Named Death | E Major | 8 | 12B | 180 BPM | ||
| Eraser | Long Distance Calling | A♭ Major | 10 | 4B | 112 BPM | ||
| 1am _ Calmy Thingies | Madoi The Maid | A♭ Major | 7 | 4B | 200 BPM | ||
| Inside | Death Decline | F♯ Major | 8 | 2B | 95 BPM | ||
| Final Days | Slipped | C Major | 7 | 8B | 133 BPM | ||
| Hidden Species (Vitrification of Blood, Pt. 2) | Blood Incantation | D♭ Major | 8 | 3B | 104 BPM | ||
| One Rode to ASA Bay | Bathory | B Major | 8 | 1B | 130 BPM | ||
| Deafening Silence | Symbolic Field | C Major | 9 | 8B | 120 BPM | ||
| As My Ashes Blur The Sky | As My Ashes Blur The Sky | E♭ Major | 9 | 5B | 124 BPM | ||
| Eren Yeager | Black throne | D Minor | 9 | 7A | 91 BPM | ||
| As The World Falls Apart | Auger, Imogen Evans | B Major | 6 | 1B | 122 BPM | ||
| Alone (From “Call of Duty: Black Ops Cold War - Die Maschine”) - Instrumental | Kevin Sherwood | A Major | 10 | 11B | 180 BPM | ||
| Existential Throat Punch | Digiterra | C Major | 9 | 8B | 186 BPM | ||
| I Won't Come Back Alive | Genghis Tron | A Minor | 9 | 8A | 180 BPM |