"Georgetown" by Alexander Rudd had its release date on June 30, 2014. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Georgetown's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Reflections". In this album, this song's track order is #13. In terms of popularity, Georgetown is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Georgetown by Alexander Rudd having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rain, In Your Black Eyes | Ezio Bosso, StradivariFestival Chamber Orchestra | D Major | 2 | 10B | 69 BPM | ||
| Flight to Wonderland | Alexander Rudd, Zach Lemmon | G Major | 3 | 9B | 178 BPM | ||
| Reflection | Hannes De Maeyer, Ruben de Gheselle | B♭ Minor | 0 | 3A | 108 BPM | ||
| The Shores of Scotland | Max Richter | B Minor | 5 | 10A | 143 BPM | ||
| Horizons | Ian Post | C Minor | 5 | 5A | 120 BPM | ||
| Such A Mess | Alexis Grapsas | B♭ Minor | 1 | 3A | 112 BPM | ||
| Dickensian Theme | Debbie Wiseman, The Locrian Ensemble Of London | F Major | 1 | 7B | 99 BPM | ||
| Fotografia | Stefano Lentini | E♭ Major | 5 | 5B | 118 BPM | ||
| Mumbo Bliver Stor | Halfdan E, Tallinn's Finest Sinfonietta | E♭ Major | 5 | 5B | 118 BPM | ||
| Beyond The Peak | Paul Mottram, Ben Dawson, Helen Tunstall | D Minor | 2 | 7A | 123 BPM | ||
| Mr. Crump | Anne-Kathrin Dern | E♭ Major | 5 | 5B | 118 BPM | ||
| The Good Liar | Carter Burwell | F Major | 1 | 7B | 88 BPM | ||
| Following Mrs. Harris | John Ottman, Alexander Rudd | B Minor | 5 | 10A | 117 BPM | ||
| Securing The File | John Ottman, Alexander Rudd | C Major | 3 | 8B | 102 BPM | ||
| Determination | Patrick Thomas Hawes | D Major | 4 | 10B | 80 BPM | ||
| In Four | Alexander Rudd | F Minor | 2 | 4A | 167 BPM | ||
| Life: III | Oliver Davis, Huw Watkins, Royal Philharmonic Orchestra, Julian Kershaw | A Major | 3 | 11B | 120 BPM | ||
| Don't Want to Go | Edward Farmer, Martin Phipps | A♭ Major | 3 | 4B | 59 BPM | ||
| Le avventure di imma | Andrea Farri | G Minor | 2 | 6A | 130 BPM | ||
| A Hundred Things to Do Before I Die | Donald Black, Alexander Rudd | B♭ Major | 4 | 6B | 81 BPM | ||
| Affectionate Writing | Howard Harper-Barnes | F Major | 5 | 7B | 150 BPM | ||
| A New Day | Harry Gregson-Williams, Rupert Gregson-Williams | F♯ Minor | 2 | 11A | 170 BPM | ||
| Pilot Ending | Siddhartha Khosla | D Minor | 2 | 7A | 164 BPM | ||
| The Reunion | Trevor Kowalski | A♭ Major | 1 | 4B | 138 BPM | ||
| Pino Grigio on Ice | Pinar Toprak | D Major | 1 | 10B | 120 BPM |