""Gladiator" - Music From The Motion Picture: Now We Are Free" by Hans Zimmer, Lisa Gerrard, Klaus Badelt, Tamara Teirbrood had its release date on November 19, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 102 in the song's album "Projections". In this album, this song's track order is #92. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, "Gladiator" - Music From The Motion Picture: Now We Are Free's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Gladiator" - Music From The Motion Picture: Now We Are Free by Hans Zimmer, Lisa Gerrard, Klaus Badelt, Tamara Teirbrood having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 'Til We Meet Again | Steve Jablonsky | G Minor | 2 | 6A | 136 BPM | ||
| Kalida | Andrea Guerra | G Major | 1 | 9B | 103 BPM | ||
| A Long Time Ago | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| The Villa of the Mysteries | René Merkelbach | A♭ Major | 3 | 4B | 124 BPM | ||
| Helig | John Lunn, Eivør | B♭ Minor | 3 | 3A | 102 BPM | ||
| Monastery of La Rabida | Vangelis | D Minor | 1 | 7A | 59 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Roots | Zbigniew Preisner, Lisa Gerrard, Dominik Wania | B♭ Major | 0 | 6B | 68 BPM | ||
| Tor-Cheney-Nahana (Winter Ceremony) | Sacred Spirit | B Minor | 3 | 10A | 110 BPM | ||
| London | James Newton Howard | D Minor | 2 | 7A | 79 BPM | ||
| Become | Lisa Gerrard | F♯ Minor | 5 | 11A | 84 BPM | ||
| Pax Deorum - 2009 Remaster | Enya | E Major | 3 | 12B | 174 BPM | ||
| Heaven And Earth (Land Theme) - Heaven And Earth/Soundtrack Version | Kitaro | B Minor | 3 | 10A | 67 BPM | ||
| Draco - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 69 BPM | ||
| Transformation | The Cinematic Orchestra, London Metropolitan Orchestra | F♯ Major | 2 | 2B | 92 BPM | ||
| I believe In G | ERA | G Major | 3 | 9B | 139 BPM | ||
| Fiona Awakens | Patrick Cassidy | A♭ Minor | 1 | 1A | 75 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| Two Brothers | Anne Dudley, The Quartet Of London | E Minor | 1 | 9A | 112 BPM | ||
| Gladiator Orchestra Suite: Part 2, Elysium - Live | Lisa Gerrard, Klaus Badelt, Hans Zimmer, Pedro Eustache, Anna Baulina, Vienna Radio Symphony Orchestra, Martin Gellner | D Major | 5 | 10B | 84 BPM | ||
| Two Socks / The Wolf Theme (From "Dance with Wolves" Soundtrack) | John Barry | A Major | 1 | 11B | 76 BPM | ||
| Silk Road | Tan Dun, Yo-Yo Ma, Chen Xie Yang, Shanghai Symphony Orchestra, Shanghai National Orchestra | D Minor | 0 | 7A | 62 BPM | ||
| Adagio in D Minor | John Murphy | G Major | 5 | 9B | 119 BPM | ||
| Braveheart Theme | The Gardyne Chamber Ensemble | D Major | 3 | 10B | 127 BPM | ||
| Prologue | Loreena McKennitt | B♭ Major | 2 | 6B | 167 BPM |