"EP 7849" by Roscoe Mitchell had its release date on June 16, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 11 in Bells For The South Side by Roscoe Mitchell. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. EP 7849 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of EP 7849 by Roscoe Mitchell is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bound | Muhal Richard Abrams, George Lewis, Roscoe Mitchell | C Minor | 2 | 5A | 111 BPM | ||
| Passing Ships | Andrew Hill | C Major | 3 | 8B | 102 BPM | ||
| I Can't Wait Till I Get Home | Henry Threadgill | B Minor | 4 | 10A | 95 BPM | ||
| Spirit Dance | Michael White | F Major | 4 | 7B | 130 BPM | ||
| Compositions 1960: No. 4 - Arr. for Guitar | La Monte Young, Noël Akchoté | D Minor | 1 | 7A | 72 BPM | ||
| Finalité | Mark Dresser, Fred Frith, Gerry Hemingway, Phil Minton, John Oswald, Bob Ostertag, John Zorn | D Major | 3 | 10B | 99 BPM | ||
| The Mystery Song | Steve Lacy, Don Cherry | F Minor | 2 | 4A | 172 BPM | ||
| Point Of Many Returns | Sam Rivers | G Major | 5 | 9B | 123 BPM | ||
| Equilibrium | Matthew Shipp, Gerald Cleaver, Khan Jamal, William Parker | E♭ Major | 4 | 5B | 67 BPM | ||
| When The Night Turns Around | Borah Bergman, Roscoe Mitchell | F Minor | 2 | 4A | 94 BPM | ||
| Violin | Paul Bley Trio | D♭ Major | 0 | 3B | 78 BPM | ||
| Bemsha Swing | Cecil Taylor | G Minor | 3 | 6A | 82 BPM | ||
| No Space Fo Us | Angel Bat Dawid | C Major | 4 | 8B | 108 BPM | ||
| II - from Composition/Improvisation 2 | Roscoe Mitchell, The Transatlantic Art Ensemble | C Major | 2 | 8B | 54 BPM | ||
| Batterie | Paul Bley Trio | F Minor | 1 | 4A | 116 BPM | ||
| Total Recovery | Chicago Underground Quartet | A Minor | 5 | 8A | 178 BPM | ||
| Sand | Ralph Towner, Jan Garbarek, Eberhard Weber, Jon Christensen | C Major | 4 | 8B | 102 BPM | ||
| A Paper Bag and the Sun | The Lounge Lizards | C Major | 4 | 8B | 141 BPM | ||
| What Purpose | Flock, Bex Burch, Sarathy Korwar, Danalogue, Al MacSween, Tamar Osborn | F♯ Major | 5 | 2B | 122 BPM | ||
| Shapes | Roscoe Mitchell, Thomas Buckner, Gerald Oshita | D Minor | 2 | 7A | 76 BPM | ||
| High and Wide | Elliot Galvin, Shabaka Hutchings | C Major | 0 | 8B | 99 BPM | ||
| Prayer For Jimbo Kwesi | Art Ensemble Of Chicago | D Major | 1 | 10B | 105 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 1 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | G Minor | 3 | 6A | 73 BPM | ||
| Rimbaud Gedicht | Bobo Stenson Trio | D♭ Minor | 3 | 12A | 138 BPM | ||
| A Laugh for Rory | Rahsaan Roland Kirk | A Minor | 3 | 8A | 121 BPM |