"Obsession" by Ruth Barrett had its release date on October 24, 2018. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 17 in Bodyguard (Original Soundtrack Album) by Ruth Barrett. Based on our statistics, Obsession's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Obsession by Ruth Barrett is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Una Povera Pazza | Michele Braga | F Minor | 2 | 4A | 79 BPM | ||
| A Claim to the Throne | Max Richter | G Minor | 3 | 6A | 137 BPM | ||
| The Mirror Crack'd from Side to Side | Dominik Scherrer | C Minor | 2 | 5A | 72 BPM | ||
| The Southerners | Samuel Sim | F Major | 2 | 7B | 132 BPM | ||
| Dark Fading Waves | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | D Major | 0 | 10B | 77 BPM | ||
| The Hilltop | Max Richter | D Major | 5 | 10B | 80 BPM | ||
| I Have Been Here Before | Alex Heffes | A Minor | 2 | 8A | 79 BPM | ||
| Min pappa är död | Isak Lundberg | B♭ Minor | 4 | 3A | 95 BPM | ||
| Lord M | Martin Phipps | E♭ Minor | 1 | 2A | 70 BPM | ||
| Series Opener | Harry Gregson-Williams | C Major | 3 | 8B | 138 BPM | ||
| Ray of Sunshine | Torin Borrowdale | E♭ Major | 0 | 5B | 92 BPM | ||
| Far from the Madding Crowd Love Theme | Craig Armstrong | A Minor | 3 | 8A | 87 BPM | ||
| 密室疑踪 | 赵敏 | C Major | 1 | 8B | 120 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| Tewkesbury's Trail | Daniel Pemberton | C Major | 1 | 8B | 108 BPM | ||
| Allelujah (Arrangement of Theme by Martin Phipps) | Ruth Barrett, Gillie Mackenzie | F♯ Minor | 2 | 11A | 67 BPM | ||
| Lady in the Water: Prologue | James Newton Howard, Jean-Yves Thibaudet | E Minor | 0 | 9A | 64 BPM | ||
| Hostage Exchange | Cho Young-Wuk | B♭ Minor | 4 | 3A | 95 BPM | ||
| A Women of Independence | Ruth Barrett, Jon Wygens, David Schweitzer | A Minor | 1 | 8A | 180 BPM | ||
| Seeing with New Eyes | Sarah Schachner | A♭ Major | 0 | 4B | 65 BPM | ||
| Basslinefield | Velora | A♭ Major | 1 | 4B | 85 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Miranda's Victim Main Titles | Holly Amber Church | G Major | 0 | 9B | 144 BPM | ||
| The Great Exhibition | Ruth Barrett, David Schweitzer | D Major | 3 | 10B | 159 BPM | ||
| Le nostre vite | Paolo Buonvino | B♭ Minor | 4 | 3A | 95 BPM |