"Tracing The Outline - Movement 2" by John Metcalfe, Matthew Barley had its release date on May 10, 2010. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 15 in Constant Filter by John Metcalfe, Matthew Barley, Ashley Wass. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Tracing The Outline - Movement 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tracing The Outline - Movement 2 by John Metcalfe, Matthew Barley is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holtnevel | Niklas Paschburg | F♯ Major | 4 | 2B | 95 BPM | ||
| Marazion (50.127932, -5.474548) | KEYNVOR, Sebastian Plano | C Major | 2 | 8B | 91 BPM | ||
| Fantasía for Cello and Orchestra | Gabríel Ólafs, Steiney Sigurðardóttir, Reykjavík Orkestra, Viktor Orri Árnason | A Major | 0 | 11B | 58 BPM | ||
| Cornfield Chase | Hans Zimmer | A Minor | 2 | 8A | 94 BPM | ||
| Flying Over Rome | John Metcalfe, Everton Nelson | B Minor | 5 | 10A | 90 BPM | ||
| Dismantle | Peter Sandberg | E♭ Major | 1 | 5B | 100 BPM | ||
| Shadow Journal | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 1 | 6A | 143 BPM | ||
| Orion I | Peter Sandberg | C Minor | 2 | 5A | 180 BPM | ||
| Black Dog | Autonomy | E Major | 3 | 12B | 78 BPM | ||
| The Night Café | Clint Mansell | D Minor | 3 | 7A | 113 BPM | ||
| Deep Under | Eydís Evensen | E♭ Major | 2 | 5B | 114 BPM | ||
| Still | Ola Gjeilo | C Major | 0 | 8B | 71 BPM | ||
| Our Own Roof | Nils Frahm | B♭ Minor | 1 | 3A | 53 BPM | ||
| We Became Winter | Vetle Nærø | A♭ Minor | 0 | 1A | 98 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Leonard Bernstein, New York Philharmonic | B♭ Minor | 1 | 3A | 88 BPM | ||
| Abeyance | Sebastian Plano | B Minor | 0 | 10A | 71 BPM | ||
| Flowers Barrow | Simon Richmond, John Metcalfe | C Major | 2 | 8B | 142 BPM | ||
| An Ending (Ascent) - Remastered 2005 | Brian Eno | A♭ Major | 1 | 4B | 67 BPM | ||
| A Fearless Heartbeat | Sebastian Plano | C Minor | 1 | 5A | 78 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Valadier | Olivia Belli, Louisa Fuller, John Metcalfe, Chris Worsey | E♭ Minor | 0 | 2A | 69 BPM | ||
| IV. Mrs Dalloway: Meeting Again | Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Ian Burdge, Chris Worsey | E♭ Minor | 1 | 2A | 78 BPM | ||
| Of the undiscovered country - From The Original Motion Picture "Hamnet" | Max Richter, Hugh Brunt | B♭ Major | 2 | 6B | 59 BPM | ||
| Spare | Luke Howard | D♭ Minor | 1 | 12A | 63 BPM |